Shoot the bank Tableau 2023, 2023
Painting : aerosol paint, acrylic, digital art, ink, paper, Screen Print, digital print, Posca, object, mixed media · 40 x 40 x 3 cm 15.7 x 15.7 x 1.2 inch · Ready to hang
CHF 1,055
1 055 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 90
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic , digital art , ink , paper , Screen Print , digital print , Posca , object , mixed media on canvas
Dimensions ( cm • inch )
40 x 40 x 3 cm 15.7 x 15.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016
Description
Mixed media work including spray paints, acrylics, inks, and markers. With integration of tissue paper collages and screen printing. Work by one of the pioneers of anti-bank art in France. Certificate delivered with the work.
The urban aesthetic expresses itself here with brute force.
The radical contrast between deep black and bright white structures the composition.
The text is inscribed as a provocative slogan, recalling the codes of militant graffiti.
The background breaks the rigor of the subject with projections of bright colors.
Pink and blue intertwine in spontaneous washes, evoking the freedom of graffiti.
The mixed use of spray paint and acrylic brings a rich and material texture.
The influence of graffiti mixes with a direct social critique.
Each line emphasizes a tension between order and chaos.
The whole rests on a worked background where superpositions of materials accumulate.
The final rendering combines the precision of the stencil and the energy of the instinctive gesture.
The urban aesthetic expresses itself here with brute force.
The radical contrast between deep black and bright white structures the composition.
The text is inscribed as a provocative slogan, recalling the codes of militant graffiti.
The background breaks the rigor of the subject with projections of bright colors.
Pink and blue intertwine in spontaneous washes, evoking the freedom of graffiti.
The mixed use of spray paint and acrylic brings a rich and material texture.
The influence of graffiti mixes with a direct social critique.
Each line emphasizes a tension between order and chaos.
The whole rests on a worked background where superpositions of materials accumulate.
The final rendering combines the precision of the stencil and the energy of the instinctive gesture.
Presentation
Born in 1973, JP Malot aka Shoot the Bank attended a school of artistic and technical drawing for two years. But finding the school too academic for his taste, he left the school and returned to his passion for spray painting and worked in the decoration of parades, fashion storefronts, palisade during a grafitti expo of the gallery of Agnes B, in addition to frequenting wastelands which was sort of a cult of the time.
Being influenced by the biggest graffitti artits during his teenage years in Paris (Steph, Jonone, Futura 2000) and by the books «Subway Art» and «Spray Can Art» by the end of the 80s and beginning of 90s, he was attracted by the drawings and sketches of the great masters as well. He became increasingly interested also in the abstract work of Paul Jenkins and its colors, and claims today completely being part of the underground culture. His current influences range from pop art, graphism, fashion to his jouneys from which he brings posters from the streets to incorporate in his pieces.
His techniques are mixed, combining collage, aerosol, painting, stencil, serigraphy, markers, acrylics, drawings and sculpted objects like his grenades in pop colors which he posts in the streets or sticks to other objects, visual and pseudonyms that serve as diverse tags or signatures in order to mislead his followers, and to meet his need to hide while creating new concepts and sometimes enigmas for the fans of street art.
We can find his work in cities like Berlin, Barcelona, Madrid, Palma, Malaga, Marbella, Ibiza, Rome, Naples, London, Galsgow, Edinbourgh, Beijing, as well as among amateurs and collectors of urban art like in Beverly Hills, London, Berlin, New York and Tokyo.
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