Paradise apples, 2026
Galya Popova   Emerging artists

Painting : oil, canvas · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch · Ready to hang

CHF 2,440 2 440 CHF

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Shipped from: Germany

Delivery to: Switzerland , CHF 95

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth

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Independent artist

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Description

A poetic gaze lingers from behind a dark fence. The composition captures a quiet moment of introspection. A young woman looks toward the viewer with a soft, enigmatic expression. Above her, a network of slender branches reaches across a pale sky. Vibrant orange persimmon cluster like luminous droplets against the muted background. A single hand descends from the top edge. It reaches out to pluck a fruit with gentle precision. This gesture introduces a narrative element of connection and longing. The oil application is smooth and deliberate. It blends a figurative approach with a dreamlike atmosphere. Low contrast tones emphasize the warmth of the red spheres. The scene transforms a simple garden snapshot into a meditation on memory and nature. Every brushstroke supports a mood of stillness and sensitivity. The artwork balances the organic chaos of the branches with the structured line of the wooden barrier. It remains a study of observation and silent emotion.

Portrait

Garden

figurative

Women

Winter

Snow

Trees

Black

Red

Galya Popova, Paradise apples

Galya Popova

Germany  • 1978
314 followers

Presentation

Galya Popova is an experienced artist based in Germany whose paintings have been featured in solo and group exhibitions worldwide. Passionate about art since childhood, Galya Popova has developed her own practice creating paintings with stories behind them. Exploring themes of childhood, memory, and nature, her distinct style is characterized by curious characters and snapshots of everyday life.

Galya Popova is a contemporary painter born in 1978 in Moscow, Russia, and currently residing in Bonn, Germany. From the age of six, she demonstrated remarkable artistic talent, which allowed her to quickly integrate into adult workshops. She continued her training at the Moscow Academic Art School "In Memory of 1905," where she specialized in scenography, and then obtained a degree in costume design from the Moscow State University of Services in 2005.

Galya Popova's work is distinguished by its poetic and introspective dimension. Her paintings, often made in oil on canvas, explore themes such as childhood, memory, nature, and human emotions. She creates evocative compositions where faces, although sometimes similar to her own, serve as "masks" to express universal states of mind. Her style, described as poetic figurative, blends elements of everyday life with a dreamlike atmosphere, transforming ordinary moments into scenes imbued with mystery and sensitivity.

Galya Popova has participated in numerous solo and group exhibitions internationally, including in Germany, Russia, France, and Malaysia. Notable works include "Growing" (2016), exhibited at V'Art Space in Kuala Lumpur, and series such as "Porto Pollo" and "Impossible Behavior." She has also collaborated on interdisciplinary projects, such as the "Emotions Project," in partnership with American composer Molly Joyce and dancer Anna Koblova of the Bolshoi Theatre.

Alongside her painting career, she worked as an illustrator for Russian publishers and briefly explored the world of fashion, presenting a haute couture collection at Moscow Fashion Week. However, she considers painting her true calling, a free and personal means of expression. Her creative process is guided by intuition, where each canvas evolves organically, without a predefined plan, thus reflecting her emotions and perceptions of the moment.

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