Les temps modernes, 2023
Nicolas Monjo   Emerging artists

Painting : acrylic · 114 x 146 x 2.5 cm 44.9 x 57.5 x 1 inch

$7,230 7 230 $US

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Shipped from: France

Delivery to: United States , $ 524

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

114 x 146 x 2.5 cm 44.9 x 57.5 x 1 inch Height x Width x Depth

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Vetted seller since 2026

Description
A dense composition where bodies intertwine with a strange fluidity. The scene unfolds a lucid and personal vision of human fragility. The figures crowd into a confined space, suggesting an impossibility of escaping everyday life.
The technical work mixes acrylic and oil. The artist plays with the chemistry of pigments to create marked reliefs. A palette dominated by grays and cold blues emphasizes the heavy atmosphere of the canvas.
The imagery shifts into the fantastic. Surreal elements punctuate the canvas: a smiling face, a bright red heart, and singular masks. The bodies, with generous and contorted shapes, evoke a silent struggle against confinement.
The whole forms a complex visual narrative. Each character seems frozen in an immobile wait. The eye is drawn to the contrasts between the paleness of the skin and the darkness of the clothes, especially the black veil that looms over the assembly. The dark green background accentuates the effect of claustrophobia.
Nicolas Monjo, Les temps modernes

Nicolas Monjo

France  • 1975
337 followers

Presentation

Born in Lot et Garonne in 1975, Nicolas Monjo is a talented self-taught painter who today lives and works near Angouleme. Preferring the solitude of his studio to social events, he often leaves it to others to dissect and decipher his works.

He discovered painting at the age of 20 and from then on has worked to developed a unique, highly poetic style. He plays with the laws of chemistry on his canvases, mixing acrylics and oils to create pronounced reliefs, whilst his signature preference for greys and blues makes his works instantly recognisable.   

The themes tackled by the artists reveal a lucid and personal vision of his subjects, usually everyday objects and scenes which recur as frequently on his canvases as they do in day to day life. Monjo reveals touches of himself through his paintings, depicting his experiences of living in a hard, cold world where the laws of the jungle prevail. He strives, and achieves with brilliance, to make the viewer aware of the fragility of the human condition, which seems to haunt his subjects. The men and women are figuratively and literally enclosed in the frame, reminding the spectator of their inability to liberate themselves from their mundane lives. 

Sometimes resembling the curvaceous figures found in the works of Fernand Léger, the characters in Monjo's pieces are often accompanied by dogs, cats, even fish, and are depicted in strange, contorted positions. His preference for flexible models allowed ten people at once to squeeze themselves into a tiny car for one memorable piece. 

Monjo's latest works are fantastical, almost surrealist in nature, but contain many of his traditional motifs likes hearts and guitars, as well as bottles, plates, forks, and abandoned glasses. Objects which grace the everyday life of the artist are captured and presented for the delight of the spectator. 

Nicolas Monjo maintains a regular presence in galleries and exhibitions in France. In 2024, he was featured in the group exhibition Existential Pluralism at Galerie Bouillon d’Art in Bordeaux, as well as in a duo exhibition at Espace Orlando in the Gers alongside Carole Petit, highlighting his dense and narrative figurative universe. More recently, his work has also been shown in 2026 at Galerie 2023 in Lons-le-Saunier, as part of a group exhibition bringing together several contemporary artists, confirming the continuity of his presence in the current art scene and his anchoring within the French gallery circuit.

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