Interlocking Spaces, 2025
Painting : acrylic · 100 x 100 x 0.1 cm 39.4 x 39.4 x 0 inch
$1,162
1 162 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: Egypt
Delivery to: United States , $ 174
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 0.1 cm 39.4 x 39.4 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Interlocking Spaces explores the relationship between geometry, space and visual perception through a complex arrangement of intersecting shapes and overlapping planes. Angular forms, fragmented lines and layered geometric structures create an architectural composition in which boundaries seem to shift and perspectives continuously change. Deep navy and charcoal tones provide a strong visual framework, while pale blue, soft pink, muted green, burgundy and warm yellow introduce rhythm and contrast. Some shapes appear solid and clearly defined, while others seem translucent or dissolve into neighbouring forms, creating an intriguing interplay between depth and flatness. The composition invites the viewer to explore the spaces between shapes, discovering unexpected connections and new visual relationships. Through its balance of structure, colour and abstraction, the painting reflects the complexity of the spaces we inhabit and the many perspectives through which we experience the world.
Original acrylic painting on canvas. Dimensions: 100 × 100 cm. The artwork will be carefully rolled and shipped in a protective tube. Stretching onto a suitable frame will be required upon arrival.
Presentation
Mohamed Nabil is an Egyptian visual artist and Professor of Graphic Arts based in Alexandria, Egypt. His practice explores geometric abstraction as a means of investigating space, perception, and the relationship between opposing forces. Through carefully constructed compositions, he examines the tension between presence and absence, order and ambiguity, darkness and light, transforming a reduced visual vocabulary into complex spatial experiences.
Trained in graphic arts, Mohamed Nabil holds a Bachelor of Fine Arts from Minia University, a master's degree in Fine Arts, and a PhD in Fine Arts specialising in Graphic Arts. In 2024, he was appointed Professor of Graphic Arts at Mansoura University, where he also serves as Head of the Graphic Arts Department.
His artistic language is distinguished by structural precision, geometric reduction, and a sustained interest in the boundaries between the visible and the imagined. Working with acrylic and drawing on the formal discipline of graphic arts, he constructs compositions in which lines, geometric fragments, and negative space become active elements in the perception of depth, movement, and light.
Mohamed Nabil has presented his work in numerous solo and group exhibitions in Egypt and internationally. His solo exhibitions include On the Margins of the Orbit at the Museum of Modern Egyptian Art, Cairo Opera House, in 2025, Orbits at El Gezira Arts Center in 2019, and Constructive Forms at Mansoura University in 2016. His international participation includes graphic arts biennales and triennales in France, Italy, Portugal, Slovenia, Romania, Greece, and other countries.
His distinctions include the Rafea Al-Nasiri Prize for Engraving and Printmaking in 2017 and the Grand Prize at the 18th Youth Salon in 2007. His works are held in institutional collections, including the Museum of Modern Egyptian Art, Bibliotheca Alexandrina, the National Museum of Jordan, and the Castello dei Paleologi Museum of Engraving in Italy.
Alongside his artistic practice, Mohamed Nabil has contributed to contemporary art through university teaching, exhibition curation, and participation on national exhibition juries. His work brings together the analytical rigour of graphic arts and an ongoing investigation into the spatial and conceptual possibilities of abstraction.
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