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Erró “Chairman Mao’s Long Journey” Brooklyn Bridge New York., 2020

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$9,087

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The artwork is available for pickup from the gallery in Malmö, Sweden


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Galleri GKM

Malmo, Sweden

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Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York.
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About the work
  • Medium

    Painting : digital art

  • Dimensions cm | inch

    37.4 x 40.6 x 0.8 inch

  • Support

    Painting on canvas without stretcher

  • Framing

    Black wood frame

  • Artwork dimensions including frame

    43.3 x 46.5 x 2 inch

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    Signed, dated and titled on the back.
    Monotype on canvas. 1/1 ex.
    Artwork size: 95 × 103 cm.
    Frame size: 110 × 118 x 5 cm.
    Free shipment worldwide.
    Acquired directly from the artist.
    Read more
Delivery
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Origin: Sweden
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Want to go further?

Erró

Iceland Born in: 1932 Bestsellers Masterpieces
Movement: Digital Artists

Erró is an Icelandic artist born in 1932.

He studied painting at the Fine Arts School in Reykjavik and Oslo from 1949 to 1952, then mosaic at the Fine Arts School in Florence in 1955. In these schools, he initially specialized in the technique of paper cuts before focusing on mosaic. He moved to Paris in 1958 and met artists who were part of the Surrealist movement.

In the world of comics, Erró brought together cartoon characters and historical despots. He constantly gleans visuals in newspapers, advertising, or illustration, in order to make up his collages these include cultural samples from all the countries he visited. In this manner, comics and Chinese propaganda can and are on the same level.

He is able to create a visual impact, mixing both the temporal aspect and boundaries. Seeing a Walt Disney hero next to a dictator isn't surprising. He is committed through his works and tackles politics at full throttle. In order to denounce and criticize the events, he plays around with humor and derision. Totalitarian regimes, consumerism, and the Iraq war are his main weapons in the artistic struggle.

Before, he was used to working in cycles, his collages move from one universe to the other, creating large gaps, going from a series of eroticism to a second one, pertaining to space conquest. In his work  "Méca-Make-Up", Erró extracts faces of models from the press and then assembles them with mechanical materials that belong to cars or cameras.

His works are present in museums throughout the world and are used as references for narrative figuration and collages.

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Erró, De la série ”A travers…13", Print

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Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York.
Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York. Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York. Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York. Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York. Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York. Erró, “Chairman Mao’s Long Journey” Brooklyn Bridge New York.