I thought I was rescued, 2017
Julie Sarloutte  

Painting : embroidery · 50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch

CHF 949 949 CHF
Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 77

Estimated delivery: One to two weeks

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Sold with certificate of Authenticity from the artist

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 40 x 2 cm 19.7 x 15.7 x 0.8 inch Height x Width x Depth

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Art gallery

Credentials

Vetted seller since 2019

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Description
Needle painting: embroidery on painted silk. Authenticity: - signature of the artist by hand on the silk, - certificate from the gallery, countersigned by the artist. Gallery invoice.
Julie Sarloutte, I thought I was rescued
France

Presentation

Born in 1989, Julie Sarloutte is a young French artist who graduated in 2014 from DNSAP des Beaux-Arts de Paris. Painter with the needle, she uses skeins of cotton which she works according to the technique of embroidery known as "with the pulled thread" which replaced the tubes of paints and the colors which stain. It is by diverting traditional embroidery with old-fashioned connotations that the young artist reclaims the world around her.

His needlepoint paintings are regularly presented in France and internationally.

Julie grew up in the 93 where popular culture is omnipresent and where Art remains an inaccessible ideal, often considered as elitist. She does not define herself as a committed artist, but rather claims the position of witness of her time.

She watches television, browses the internet. Both worried and fascinated by the visual abundance that she swallows emanating from screens, cinema and the media, Julie extracts from these images, which pass in a fraction of a second, fragments, still images, which she selects. for their strangeness or their ambiguity. She chooses to transform these stills fragmenting a narration into iconic images. The fraction of a second chosen is transformed under his fingers into slow and meticulous "embroidery".

Julie stings and pierces her canvas, her fingers (sometimes) and the faces of the characters she represents, without great complacency vis-à-vis her models. Witness, for sure, but without inertia.

Reviews from our customers

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