A mon signal, déchaîne les enfers, 2020
Painting : embroidery · 65 x 92 x 2 cm 25.6 x 36.2 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 99
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
embroidery on silk
Dimensions ( cm • inch )
65 x 92 x 2 cm 25.6 x 36.2 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
66 x 93 x 3 cm 26 x 36.6 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
Born in 1989, Julie Sarloutte is a young French artist who graduated in 2014 from DNSAP des Beaux-Arts de Paris. Painter with the needle, she uses skeins of cotton which she works according to the technique of embroidery known as "with the pulled thread" which replaced the tubes of paints and the colors which stain. It is by diverting traditional embroidery with old-fashioned connotations that the young artist reclaims the world around her.
His needlepoint paintings are regularly presented in France and internationally.
Julie grew up in the 93 where popular culture is omnipresent and where Art remains an inaccessible ideal, often considered as elitist. She does not define herself as a committed artist, but rather claims the position of witness of her time.
She watches television, browses the internet. Both worried and fascinated by the visual abundance that she swallows emanating from screens, cinema and the media, Julie extracts from these images, which pass in a fraction of a second, fragments, still images, which she selects. for their strangeness or their ambiguity. She chooses to transform these stills fragmenting a narration into iconic images. The fraction of a second chosen is transformed under his fingers into slow and meticulous "embroidery".
Julie stings and pierces her canvas, her fingers (sometimes) and the faces of the characters she represents, without great complacency vis-à-vis her models. Witness, for sure, but without inertia.
Reviews from our customers
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