Vieille ville sud américaine, 2019
Painting : oil · 92 x 73 x 5 cm 36.2 x 28.7 x 2 inch · Ready to hang
$3,717
3 717 $US
Delivered in time for Christmas
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Shipped from: France
Delivery to: United States , $ 383
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
92 x 73 x 5 cm 36.2 x 28.7 x 2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2018
Description
Presentation
Plok, apparent contradictions!
Born in 1944 in Paris, after studying "Art Deco", he moved to the Aix-en-Provence countryside to never leave this region that inspires him so much.
With great discipline, he goes to his studio every day where he interprets on his canvases his walks and his daydreams, drawing his inspiration from his sketches brought back from various journeys.
Plok lets out gestural imprints brutally interrupted by almost Cubist compositions like Mondrian or de Staël (whose hype and passion for the latter's work he does not hide, quoting Matisse: "I have never avoided the influence of others, I would have considered this a cowardice and a lack of sincerity with respect to myself. ").
Under the apparent simplicity of the works hides a long synthesis work where form and matter come together. Balance and harmony come into play in the renewal of theatrical painting. PLOK dares, surprises, takes us to the land of extremes.
PLOK, a signature, certainly.
Born in 1944 in Paris, after studying "Art Deco", he moved to the Aix-en-Provence countryside to never leave this region that inspires him so much.
With great discipline, he goes to his studio every day where he interprets on his canvases his walks and his daydreams, drawing his inspiration from his sketches brought back from various journeys.
Plok lets out gestural imprints brutally interrupted by almost Cubist compositions like Mondrian or de Staël (whose hype and passion for the latter's work he does not hide, quoting Matisse: "I have never avoided the influence of others, I would have considered this a cowardice and a lack of sincerity with respect to myself. ").
Under the apparent simplicity of the works hides a long synthesis work where form and matter come together. Balance and harmony come into play in the renewal of theatrical painting. PLOK dares, surprises, takes us to the land of extremes.
PLOK, a signature, certainly.
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