Entente Cordiale 2, 2010
Thom Thom  

Painting : digigraphy, collage, object, glue, assemblage, mixed media · 114 x 162 x 3 cm 44.9 x 63.8 x 1.2 inch

€5,000 5 000 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 90

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

digigraphy, collage, object, glue, assemblage, mixed media on paper

Dimensions ( cminch )

114 x 162 x 3 cm 44.9 x 63.8 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2016

Description
Splendid work of the French artist Thom Thom. One of his most beautiful creations. Entente Cordiale 2. Year 2010. Cutout and accumulations of fashion advertising displays and others undetermined below. All glued on a canvas mounted on a wooden frame of 162x114 cm format, ready to hang on the wall. Titled, signed and dedicated on the back (to its previous owner, gallery owner and founder of Artaq in the 2000s), with a marker. Sold with certificate signed by the gallery, delivery between wooden planks with maximum protection, tracking numbers, delivery against signature and insurance included.

Street art

Fashion

Lacerated posters

Graffiti

Luxury

Model

Beige

Thom Thom, Entente Cordiale 2

Thom Thom

France  • 1973

Presentation

Thom Thom (Thomas Schmitt) is a French street artist born in 1973.
Thom Thom lives and works in Paris, he has been doing advertising posters, for the last 15 years, he is the founder of the association M.U.R.

Working on billboards, Thom Thom started working in collaboration with Jacques Villegle, the famous Parisian posters décollagiste.The simplest urban material became an excuse to create for these two artists. Inspired by the major trends of the twentieth century, "The artist of the cutter" finds its roots in the New Realists or the Situationists.

His technique depends on chance: his tool, the blade, places layer after layer over the posters to transform them into new pieces. With every stroke of blade, a new tile is placed on the original image, as if the artist knew what he would find under the posters.

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