Hauraki, 2002
Photography : inkjet · 40 x 60 x 3 cm 15.7 x 23.6 x 1.2 inch
€2,900
2 900 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 78
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 8 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 60 x 3 cm 15.7 x 23.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Description
Auckland Bay, 14th October 2002.
America’s Cup, FRA69, one of France’s Défi Areva’s boats during a regatta against Dennis Conner’s Stars and Stripes.
Benoit Baume, who was in charge of all the editorial production for Défi Français, wanted to add a different viewpoint to the photographic work by sailing specialists. By using a photographer who would tell the behind-the-scenes story of Défi differently, and who would bring his own style to the coverage of the competition. He called on Patrick Gripe.
America’s Cup, FRA69, one of France’s Défi Areva’s boats during a regatta against Dennis Conner’s Stars and Stripes.
Benoit Baume, who was in charge of all the editorial production for Défi Français, wanted to add a different viewpoint to the photographic work by sailing specialists. By using a photographer who would tell the behind-the-scenes story of Défi differently, and who would bring his own style to the coverage of the competition. He called on Patrick Gripe.
Presentation
He discovered photography at a photo club in Elancourt, a west Parisian suburb. It was love at first sight and he knew it was for life.
He finished top of the class in Ivry-sur-Seine’s photography school, and got his first freelance work with Le Figaro and Libération. He started working with L’Equipe Magazine at the end of the 90s. He found an endless source of inspiration in the world of sport, with its powerful stories, rich characters and soul-inhabited stadiums.
Through the precision of his images and ability to capture an atmosphere, he excelled in the art of visual story telling. When he spoke about his work he said he just wanted to be an eyewitness to a reality where the human spirit is the main subject. He died suddenly and unexpectedly on the night of the 4th October 2010, at the age of 47.
He finished top of the class in Ivry-sur-Seine’s photography school, and got his first freelance work with Le Figaro and Libération. He started working with L’Equipe Magazine at the end of the 90s. He found an endless source of inspiration in the world of sport, with its powerful stories, rich characters and soul-inhabited stadiums.
Through the precision of his images and ability to capture an atmosphere, he excelled in the art of visual story telling. When he spoke about his work he said he just wanted to be an eyewitness to a reality where the human spirit is the main subject. He died suddenly and unexpectedly on the night of the 4th October 2010, at the age of 47.
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