G/US/XX Cent Warhol, Andy Campbell's soup can, 1964, 2019
Art Paris 2024
Sebastian Riemer  

Photography : pigment ink · 90 x 90 x 0.2 cm 35.4 x 35.4 x 0.1 inch · Ready to hang

$8,380 8 380 $US

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Shipped from: Germany

Delivery to: United States , $ 587

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

90 x 90 x 0.2 cm 35.4 x 35.4 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

92 x 92 x 3 cm 36.2 x 36.2 x 1.2 inch

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2024

Description

The source image for this work is a slide. Through very high definition reproduction and extreme enlargement of the format, Sebastian Riemer highlights the primary source of the slide and all the layers of time that it has accumulated since then, thus revealing what we could not see. It appears that the images on the slides do not come directly from the works of art. Looking at the printing grid and the colored dots, these are more reproductions from books or printed matter. In addition, the image reproducing works of art on the one hand, and the annotations written on the white edges on the other hand, testify to the obvious use of these slides to illustrate art history lessons.

Germany  • 1982

Presentation

Sebastian Riemer questions the photographic medium's claim to objectivity, durability and the documentary. The artist often works with found photographs, which he enlarges in high resolution and thereby transfers into new viewing contexts. 
In this way, he focuses, for example, on painterly qualities, the effect of materiality and states of decay of the photographic material, which he calls "photographic ruins". His artistic approach enables image scientific, media reflexive as well as aesthetic examinations of the visual medium.

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