XVII 220 // XVII Samburu, Kenya (S), 2010
Jimmy Nelson  

Photography : C-print · 74 x 62 cm 29.13 x 24.41 inch

€7,439 7 439 €

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Shipped from: United States

Delivery to: France , € 107

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 9 copies

6 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

74 x 62 cm 29.13 x 24.41 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away.

"XVII 220 - Lelesas, Louelen, Lewangu, Lepokodou, Loingu, Nyerere - Ndoto Mountain Range - Kenya, 2010.

The Samburu live in northern Kenya, where the Ndoto mountains give way towards the Chalbi desert. As cattle-herding Nilotes, the Samburu reached Kenya some five hundred years ago, moving southwards along the plains of the Rift Valley in a rapid advance.

“A deaf ear meets with death, a listening ear with blessings."

The Samburu have to relocate every 5 to 6 weeks to ensure their cattle can feed themselves. They are independent and egalitarian people. Their society has depended on cattle and warfare for so long that they find it hard to change to a more sedentary lifestyle."

All available sizes and editions:

29.13" x 24.41", Edition of 9

66.93" x 55.11", Edition of  3

81.69" x 66.93", Edition of 1

Landscape

Animal

figurative

Africa

Camels

Costumes

Tradition

brown

Red

Jimmy Nelson, XVII 220 // XVII Samburu, Kenya (S)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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