21 301 // 21 Vanuatu (1000), 2005
Jimmy Nelson  

Photography : C-print · 120 x 100 cm 47.24 x 39.37 inch

$33,000 33 000 $US

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Shipped from: United States

Delivery to: United States , $ 74

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 6 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

120 x 100 cm 47.24 x 39.37 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away.

"XXII467 Yangshuo Cormorants.

Yangshuo County is a county under the jurisdiction of Guilin City, in the northeast of Guangxi, China. Its seat is located in Yangshuo Town. Surrounded by karst peaks and bordered on one side by the Li River it is easily accessible by bus or by boat from nearby Guilin. Cormorant fishing is a traditional fishing method in which fishermen use trained cormorants to fish in the Li river. Cormorant fishing has taken place in Japan and China since about 960 AD. 

Cormorant fishing is a traditional fishing method.

To control the birds, the fishermen tie a snare near the base of the bird's throat. This prevents the birds from swallowing larger fish, which are held in their throat, but the birds can swallow smaller fish. When a cormorant has caught a fish in its throat, the fisherman brings the bird back to the boat and has the bird spit the fish up. Though cormorant fishing once was a successful industry, its primary use today is to serve the tourism industry."

All available sizes and editions:

24.41" x 29.13", Edition of 9

39.37" x 47.24", Edition of 6

Landscape

Everyday life

figurative

Costumes

Tradition

Boat

Grey

Jimmy Nelson, 21 301 // 21 Vanuatu (1000)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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