Flower Girl Faces - Paris Harper's Bazaar - Model Simone D'Aillencourt in Guy Laroche, 1963
Melvin Sokolsky  

Photography : silver print · 76 x 76 x 3 cm 29.9 x 29.9 x 1.2 inch · Ready to hang

€17,500 17 500 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Spain , € 200

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About the artwork

Type

Photography : numbered and limited to 25 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

76 x 76 x 3 cm 29.9 x 29.9 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

100 x 100 x 6 cm 39.4 x 39.4 x 2.4 inch

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Description

Melvin was born and raised in New York in 1933, where he began his career as a still-life photographer.

He began his career at Harper's Bazaar in 1959, at the age of 21.

Melvin's work is particularly influenced by art: surrealists Paul Delvaux, Salvador Dali, Francis Picabia and Flemish masters such as Jan Van Eyck, Rogier Van der Weyden, Jérôme Bosch and Pieter Brueghel. As in Balthus's paintings, he is interested in the movement of the body beneath clothing, in the woman in front of the lens rather than in fashion.

The ''Women in Bubble'' series, produced for the Spring collections in Paris in 1963 for Harper's Bazaar, is one of his most famous creations. Her inspiration came from a painting by Hieronymus Bosch, “The Garden of Delights”, in which characters can be seen in transparent bubbles. All that remained was to find the tricks to make the magic happen. Melvin went to Long Island to have the Plexiglas bubbles made by aeronautical engineers, plastic spheres joined together, leaving enough space between the two parts to allow air to pass through. The hinge system is inspired by Fabergé eggs, with hinges located at the top of the bubble for easy access to the mannequin. The bubbles are suspended from a crane by aircraft cables, the trace of which he makes disappear by scratching the film negative, creating the perfect illusion.

On the casting side, the challenge was to find models who could cope with entering the bubble without panicking or suffering from claustrophobia, and the photographer naturally turned to his favorite model, Simone d'Aillencourt.

Plexiglas bubbles drifting on the Seine, models made tiny by placing them next to gigantic pieces of furniture - a reference to Alice in Wonderland, levitating mannequins, ceiling-mounted furniture overturning weightlessness and numerous celebrity portraits are all shots that have marked the history of photography.

Melvin Sokolsky, Flower Girl Faces - Paris Harper's Bazaar - Model Simone D'Aillencourt in Guy Laroche
United States  • 1933

Presentation

Melvin Sokolsky was born and raised in New York in 1933, where he began his career as a still-life photographer.

He began his career at Harper's Bazaar in 1959, at the age of 21.

Melvin's work is particularly influenced by art: surrealists Paul Delvaux, Salvador Dali, Francis Picabia and Flemish masters such as Jan Van Eyck, Rogier Van der Weyden, Jérôme Bosch and Pieter Brueghel. As in the paintings of Balthus, he is interested in the movement of the body under clothing, in the woman in front of the lens rather than fashion.

The ''Women in Bubble'' series, created for the Spring collections in Paris in 1963 for Harper's Bazaar, is one of his most famous creations. Her inspiration came from a painting by Hieronymus Bosch, “The Garden of Delights", in which characters can be seen in transparent bubbles. All that remained was to find the tricks to make the magic happen. Melvin went to Long Island to have the Plexiglas bubbles made by aeronautical engineers, plastic spheres joined together, leaving enough space between the two parts to allow air to pass through. The hinge system is inspired by Fabergé eggs, with hinges located at the top of the bubble for easy access to the mannequin. The bubbles are suspended from a crane by aircraft cables, the trace of which he makes disappear by scratching the film negative, creating the perfect illusion.

On the casting side, the challenge was to find models who could cope with entering the bubble without panicking or suffering from claustrophobia, and the photographer naturally turned to his favorite model, Simone d'Aillencourt.

Plexiglas bubbles drifting on the Seine, models made tiny by placing them next to gigantic pieces of furniture - a reference to Alice in Wonderland - levitating mannequins, ceiling-mounted furniture overturning weightlessness and numerous celebrity portraits are just some of the shots that have marked the history of photography.

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