Flower Girl Faces - Paris Harper's Bazaar - Model Simone D'Aillencourt in Guy Laroche, 1963
Photography : silver print · 76 x 76 x 3 cm 29.9 x 29.9 x 1.2 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 200
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
76 x 76 x 3 cm 29.9 x 29.9 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
100 x 100 x 6 cm 39.4 x 39.4 x 2.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Melvin was born and raised in New York in 1933, where he began his career as a still-life photographer.
He began his career at Harper's Bazaar in 1959, at the age of 21.
Melvin's work is particularly influenced by art: surrealists Paul Delvaux, Salvador Dali, Francis Picabia and Flemish masters such as Jan Van Eyck, Rogier Van der Weyden, Jérôme Bosch and Pieter Brueghel. As in Balthus's paintings, he is interested in the movement of the body beneath clothing, in the woman in front of the lens rather than in fashion.
The ''Women in Bubble'' series, produced for the Spring collections in Paris in 1963 for Harper's Bazaar, is one of his most famous creations. Her inspiration came from a painting by Hieronymus Bosch, “The Garden of Delights”, in which characters can be seen in transparent bubbles. All that remained was to find the tricks to make the magic happen. Melvin went to Long Island to have the Plexiglas bubbles made by aeronautical engineers, plastic spheres joined together, leaving enough space between the two parts to allow air to pass through. The hinge system is inspired by Fabergé eggs, with hinges located at the top of the bubble for easy access to the mannequin. The bubbles are suspended from a crane by aircraft cables, the trace of which he makes disappear by scratching the film negative, creating the perfect illusion.
On the casting side, the challenge was to find models who could cope with entering the bubble without panicking or suffering from claustrophobia, and the photographer naturally turned to his favorite model, Simone d'Aillencourt.
Plexiglas bubbles drifting on the Seine, models made tiny by placing them next to gigantic pieces of furniture - a reference to Alice in Wonderland, levitating mannequins, ceiling-mounted furniture overturning weightlessness and numerous celebrity portraits are all shots that have marked the history of photography.
Presentation
Melvin Sokolsky was born and raised in New York in 1933, where he began his career as a still-life photographer.
He began his career at Harper's Bazaar in 1959, at the age of 21.
Melvin's work is particularly influenced by art: surrealists Paul Delvaux, Salvador Dali, Francis Picabia and Flemish masters such as Jan Van Eyck, Rogier Van der Weyden, Jérôme Bosch and Pieter Brueghel. As in the paintings of Balthus, he is interested in the movement of the body under clothing, in the woman in front of the lens rather than fashion.
The ''Women in Bubble'' series, created for the Spring collections in Paris in 1963 for Harper's Bazaar, is one of his most famous creations. Her inspiration came from a painting by Hieronymus Bosch, “The Garden of Delights", in which characters can be seen in transparent bubbles. All that remained was to find the tricks to make the magic happen. Melvin went to Long Island to have the Plexiglas bubbles made by aeronautical engineers, plastic spheres joined together, leaving enough space between the two parts to allow air to pass through. The hinge system is inspired by Fabergé eggs, with hinges located at the top of the bubble for easy access to the mannequin. The bubbles are suspended from a crane by aircraft cables, the trace of which he makes disappear by scratching the film negative, creating the perfect illusion.
On the casting side, the challenge was to find models who could cope with entering the bubble without panicking or suffering from claustrophobia, and the photographer naturally turned to his favorite model, Simone d'Aillencourt.
Plexiglas bubbles drifting on the Seine, models made tiny by placing them next to gigantic pieces of furniture - a reference to Alice in Wonderland - levitating mannequins, ceiling-mounted furniture overturning weightlessness and numerous celebrity portraits are just some of the shots that have marked the history of photography.
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