Petrol Pumps - Thailand, 2025
Photography : C-print · 100 x 120 x 2 cm 39.4 x 47.2 x 0.8 inch · Ready to hang
€3,183
3 183 €
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Shipped from: United Kingdom
Delivery to: Germany , € 146
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 12 copies
10 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
100 x 120 x 2 cm 39.4 x 47.2 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
100.1 x 120.1 x 2.1 cm 39.4 x 47.3 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
A petrol station in Thailand.
This artwork masterfully captures a Thai gas station with three pumps, each exuding a warm, inviting glow. The pumps, adorned with faded red, white, and green hues, stand symmetrically under a shelter with a distinctive blue roof, adding a touch of whimsy. The subtle reflection on the wet ground below hints at a recent rainfall, imbuing the scene with tranquility. The artist's attention to detail is evident in the intricate text and gauges on the pumps, which evoke a sense of timelessness and history. The muted background, featuring a blurred storefront, draws focus to the illuminated pumps, amplifying their visual impact. This piece uniquely blends realism with a dreamlike atmosphere, inviting viewers to ponder the stories and journeys that have transpired at this stop in time. The artwork is a perfect blend of nostalgia, artistry, and intrigue.
Cawston's is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmodern world where the process of disintegration exposes an aesthetic of decay where a single splash of colour or simple lines of utilitarian architecture are revealed as the hidden beauty of our built environment.
Presentation
Barry Cawston, born in London in 1966, is a British photographer renowned for his striking images that fuse architecture, landscapes, and portraits. A graduate in sociology from the University of Leeds, he studied photography at Kitson College in Leeds between 1989 and 1991. His work is distinguished by an almost painterly approach, where light, color, and texture reveal a unique visual poetry.
Cawston has won numerous awards, including the President's Award at the Royal West of England Academy's (RWA) Open Photography Exhibition. He has also exhibited at prestigious institutions such as the Marble Palace of the Russian Museum in St. Petersburg, the Völklinger Hütte in Germany, and the Oldenburg Museum. His major project, Threads, A Tale of Two Cities, compares the historic textile cities of Manchester and Kanpur, blending social documentary and architecture.
Based in Axbridge, Somerset, he runs the Drugstore Gallery with his partner Soraya Schofield. His photographic practice encompasses series such as Echoes from the Arboretum, Are We There Yet? (a trip to Banksy's Dismaland) and Russia: Far From Black and White, exploring the beauty of often-overlooked places with a cinematic quality.
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