Bleed # 202630, 2026
Paul Snell   New & remarkable Artists

Photography : C-print, paper · 185 x 120 x 0.1 cm 72.8 x 47.2 x 0 inch

$8,428 8 428 $US

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Shipping & delivery

Shipped from: Australia

Delivery to: United States , $ 1,799

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 3 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

185 x 120 x 0.1 cm 72.8 x 47.2 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2015 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Edition: 1/3

Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above.

Available in 4 weeks turnaround.

Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moments of stillness and quiet reflection. His distinctive process begins by capturing locations or objects, then digitally "decoding" and "re-coding" the visual information, reducing and simplifying colours and forms before evolving them into new self-referential compositions. This methodology blurs the boundary between "taking" and "making" a photograph.
Inspired by 20th-century modernist artists, Snell distills form and colour to their essence, creating works with a distinctly painterly impact that critics describe as "digital painting." He converts his digital compositions into luminous Chromogenic prints using the Fujiflex system on metallic paper, mounted onto Plexiglass. Each work is produced in small editions of one to three, emphasizing their unique character.
His works are not representations of reality—they are their own realities, offering grounding experiences where beauty is found in presence rather than progress. He lives and works in Launceston, Tasmania.

Paul Snell, Bleed # 202630

Paul Snell

Australia  • 1968
86 followers

Presentation

Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media.

He lives and works in Launceston, Tasmania.

He creates small production runs, printing each unique work in an edition of one to three.

His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes" the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding" process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition.

This process blurs the boundary between “taking" and “making" a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.

The visual lexicon Snell has developed is informed by the Modernist history of painting, especially minimalism and hard edged abstraction.

Snell has described his artistic practice as a search for “sensory understanding of the physical object."

His images are abstract, yet also declare a certain concrete recognition of their own material substance. Snell intends to create visually arresting works that allow viewers to enter into a contemplative, or even transcendent state. He achieves this through the deployment of rhythmic, harmonious visual structures such as concentric circular or linear patterns.

Color relationships and spatial realities are also of primary importance to Snell. The iconic presence of his works is due in part to the dynamism of the color relationships, in part to the architectonic-yet-open nature of his compositions, and in part to the vibrant, luminous qualities of the surfaces.

His work is included in numerous public and private collections, including that of ArtBank, the Devonport Regional Gallery, the Burnie Regional Gallery, and the Justin House Museum.

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