Inspiration n° 3, 2026
Caroline de Boissieu  

Painting : acrylic, ink · 50 x 70 cm 19.7 x 27.6 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

50 x 70 cm 19.7 x 27.6 inch Height x Width x Depth

Artwork dimensions including frame

62 x 82 cm 24.4 x 32.3 inch

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Credentials

Vetted seller since 2026

Description

On a translucent surface that daylight filters through, three black silhouettes emerge from a teeming mass of yellows and greens. Barely sketched, they seem pushed by the wind, suspended between appearance and disappearance — these figures of lost children, this recurring sign of a presence that is more sensed than shown.

The work strives to eliminate outlines. Water and ink combine to transform the support into a threshold: this diaphanous quality so dear to the concept of light, this medium where color is born and things are revealed. Vegetation is not represented, it is evoked; reality and imagination combine within it in a shifting palette, constantly recomposed.

To see this image is to decipher in the visible the presence of an absence. Between air and water, opacity and transparency, all tensions are present — and it is in this intermediate space that emotion resides, primitive and immediate, which will only reveal its depth much later.

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The artwork will be delivered placed between two foam boards.
Artwork painted in ink on tracing paper
The best way to frame a piece is to place it between two panes of glass.

Caroline de Boissieu, Inspiration n° 3
France  • 1958

Presentation

A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.

Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.

It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.

Reviews from our customers

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