LA LONGUE ATTENTE, 2023
Caroline de Boissieu  

Painting : acrylic, ink · 160 x 95 x 3 cm 63 x 37.4 x 1.2 inch · Ready to hang

€6,000 6 000 €

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Shipped from: France

Delivery to: Germany , € 161

Estimated delivery: Five to six weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

160 x 95 x 3 cm 63 x 37.4 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

160.1 x 95.1 x 4 cm 63 x 37.4 x 1.6 inch

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Credentials

Vetted seller since 2026

Description
One eye stares at us, the other barely discernible; and along the cheek, dark streaks flow like tears—or the trace of time slowly altering the image. Photography inspired this portrait; it dissolves as the gaze descends: half the face transforms into landscape, vegetation, living matter.
This is the work's true power: this metamorphosis where the figure merges with nature, where skin becomes foliage, moss, and earth. To see this image is to decipher, within the visible, the presence of an absence—a being suspended between appearance and disappearance, between flesh and the world that surrounds it. Ink and acrylic are layered in strata of transparency, making the deep greens, golds, and bursts of light vibrate.
True to its title, the work speaks of waiting: this suspended moment, this patient melancholy where the face seems to watch for a horizon we cannot see. Between gentleness and gravity, the tangible and the imaginary, all tensions are present. A work of profound and poetic beauty, which leaves the viewer with great freedom of interpretation and invites them to project themselves into this gaze, at the borders of the conscious and the unconscious—as in a waking dream.
The work is mounted on Dibond, a support widely used in contemporary art, and placed in a black American-style frame.
Caroline de Boissieu, LA LONGUE ATTENTE
France  • 1958

Presentation

A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.

Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.

It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.

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