LA LONGUE ATTENTE, 2023
Painting : acrylic, ink · 160 x 95 x 3 cm 63 x 37.4 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 161
Estimated delivery: Five to six weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
160 x 95 x 3 cm 63 x 37.4 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
160.1 x 95.1 x 4 cm 63 x 37.4 x 1.6 inch
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This is the work's true power: this metamorphosis where the figure merges with nature, where skin becomes foliage, moss, and earth. To see this image is to decipher, within the visible, the presence of an absence—a being suspended between appearance and disappearance, between flesh and the world that surrounds it. Ink and acrylic are layered in strata of transparency, making the deep greens, golds, and bursts of light vibrate.
True to its title, the work speaks of waiting: this suspended moment, this patient melancholy where the face seems to watch for a horizon we cannot see. Between gentleness and gravity, the tangible and the imaginary, all tensions are present. A work of profound and poetic beauty, which leaves the viewer with great freedom of interpretation and invites them to project themselves into this gaze, at the borders of the conscious and the unconscious—as in a waking dream.
The work is mounted on Dibond, a support widely used in contemporary art, and placed in a black American-style frame.
Presentation
A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.
Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.
It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.
Reviews from our customers
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