Canopée, 2025
Caroline de Boissieu  

Painting : acrylic, ink · 120 x 170 cm 47.2 x 66.9 inch

€5,000 5 000 €

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Shipping & delivery

Shipped from: France

Delivery to: Germany , € 135

Estimated delivery: Five to six weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

120 x 170 cm 47.2 x 66.9 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

A plunging view of a profusion of deep greens, gold, and touches of rust, as if the gaze were soaring over the canopy of a dense forest. The material weaves and unfolds into a thousand leaves, capturing light in bursts through a bottomless tangle of vegetation. Caroline de Boissieu celebrates organic exuberance, this teeming life where every detail flourishes within the whole. An immersion in the vibrant green of the canopy, somewhere between abstraction and aerial landscape.

Artwork mounted on Dibond, a prestigious medium in contemporary art. Hanging hardware on the back.

Abstract

Abstract art

Colors

Yellow

Green

Caroline de Boissieu, Canopée
France  • 1958

Presentation

A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.

Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.

It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.

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