Mistral, 2017
Marie-Louise van den Akker  

Painting : oil · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch

€1,800 1 800 €

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Shipped from: France

Delivery to: France , € 78

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

This artwork presents a Cubist interpretation of rocky seascapes. Fragmented geometric forms, composed of shades of blue, green, and beige, evoke the texture and depth of the cliffs and the ocean. The subtle palette of earthy colors blends with azure tones, creating a soothing and evocative atmosphere. The treatment of the subject through broken angles and sharp edges lends the composition a harmonious dynamism. The interplay of light and shadow adds a sculptural dimension, reinforcing the illusion of depth. This work is distinguished by its ability to capture the essence of the landscape while transcending reality, offering a visual exploration that is both abstract and rich in detail.

Landscape

Seascape

Pastel

Beige

Sky blue

Marie-Louise van den Akker, Mistral
France  • 1971

Presentation

Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).

My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.

As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.

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