Untitled, 2025
Alberto Urbano Moreno  

Painting : acrylic, mixed media · 142 x 73 x 1 cm 55.9 x 28.7 x 0.4 inch

€2,000 2 000 €

One of the last works available by this artist

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Shipped from: Spain

Delivery to: France , € 150

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

142 x 73 x 1 cm 55.9 x 28.7 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Medium and Technique: Mixed media on hardboard (acrylic, spray enamel, oil pastel, markers, graphite)

Style / Movement: Neo-Expressionism, Street Art, Abstract Urbanism / Palimpsest

This dynamic artwork stands as a striking exemplar of contemporary Neo-Expressionism, seamlessly fusing painterly impulsiveness with the aesthetics of street culture and archaic symbolism.

The choice of hardboard (masonite) as a substrate plays a pivotal role in the perception of the piece. Unlike pliable, yielding canvas, the dense and rigid surface of hardboard incites the artist toward an aggressive, physically tangible engagement with the material. Consequently, the painting is experienced not merely as a flat plane, but as a compressed relief or a fragment of an urban fence, literally excised from the metropolis.

The work is constructed on the principle of a palimpsest—a complex layering process where each preceding stratum partially bleeds through the next:

Base Layer (Background): A pulsating, chaotic kaleidoscope of vivid neon shades—magenta, toxic green, sunny yellow, and deep ultramarine. Spray paint yields soft gradients and a visual "noise" effect, evoking the weathered graffiti backdrop of city walls.

Textural Contrast: Paint application ranges from translucent glazes and drips to dense, impasto brushstrokes. Incisions, dry graphite scratches, and marker tagging are visible across various zones, conferring a tactile roughness and physical density to the surface.

Structural Framework (Top Layer): The entire composition is disciplined by bold, almost sculptural contour lines in white and sky blue. Due to the high relief of the thick acrylic, these broad strokes physically rise above the chromatic chaos, constructing a sense of spatial depth and volume.

The visual language of the artwork establishes a direct dialogue with key figures of 20th-century art: Jean-Michel Basquiat, A. R. Penck, Jean Dubuffet.

Abstract

Art brut

Abstract expressionism

Yellow

Dark blue

Alberto Urbano Moreno, Untitled
Spain  • 1974

Presentation

Alberto Urbano Moreno was born in 1974 in the province of Córdoba. He grew up in the small historical town of Monturque, known for its deep archaeological roots, including Roman and Arab monuments.

His first contact with painting occurred at the age of six, a period that coincided with a series of severe personal and family tragedies. Art became more than just a hobby for the child; it served as a psychological defense mechanism and an emotional refuge. As a self-taught artist (), he developed his visual language outside of academic frameworks, relying on childhood memories, intuition, and personal symbolism.

Art critics and historians frequently cite Alberto Urbano as a prominent representative of contemporary outsider art and , comparing the primitivist power and expression of his works to the legacy of Jean-Michel Basquiat.

The Concept of "Caotic Art": Under this name, the artist brings together his main exhibitions and manifestos. His works synthesize internal emotional chaos, the contradictions of human nature, and a reaction to the modern world.

Artistic Influences: His style weaves together elements of traditional , contemporary street art (), and the philosophy of the movement—a "flow" that magnetically connects the viewer and the artist through an impulse.

Materials: Urbano works in mixed and experimental media (). On canvas and heavy cardboard, he combines acrylics, spray paint, textured layering, and graphic lines.

Subjects and Symbols: His canvases frequently feature grotesque characters, masks, and popular cultural archetypes (such as Batman, Meninas, as well as mythological and animal motifs), reinterpreted through the lens of naive art and a vivid, high-contrast chromatic palette.

The artist actively exhibits his work across Spain. Key institutional venues in his career include:

Real Círculo de la Amistad in Córdoba;

The Russian Centre for Science and Culture (Casa de la Cultura Rusa) in Madrid;

As well as a number of private galleries and contemporary art platforms, including gallery exhibitions throughout Andalusia.

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