French Art History (A), 2016
Print : lithography · 100 x 70 cm 39.4 x 27.6 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: Belgium
Delivery to: Germany , € 42
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Invoice from the gallery Learn more
Secure payment • Card, Amex, PayPal...
- Credit cards (Visa, MasterCard)
- American Express
- PayPal
- Bank transfer
- Gift card
- Apple Pay / Google Pay
All payments are secured with 3D Secure validation to protect your confidential information.
Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 99 copies
17 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the gallery
Signature
Signed artwork
Technique & Support
lithography on paper
Dimensions ( cm • inch )
100 x 70 cm 39.4 x 27.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Vuk Vidor used the same concept of "OWNS" which characterize & define each artist with an idea, an object or a color. But this time the artist only used french creators. This work can be read also as a manifest for french art against an art market dominate by american and Chinese artists.
Artwork numbered and signed by the artist.
Presentation
Vuk Vidor is a Franco-Serbian contemporary artist, born in 1965 in Belgrade (then Yugoslavia). Painter, plastic artist, and performer, he is recognized for a body of work that mixes contemporary painting, figuration, Pop Art, conceptual art, political art, and visual culture. Son of the painter Mangelos Vidor, he grew up in an artistic environment before settling in France in the early 1990s. A graduate of the Faculty of Fine Arts at the University of Belgrade, he develops a multidisciplinary practice where painting, installation, photography, video, and performance dialogue around the major issues of globalization, media, and symbols of power.
Vuk Vidor's work is distinguished by immediately recognizable iconography, nourished by references to popular culture, art history, geopolitics, and contemporary mythologies. Working mainly with oil, acrylic, and mixed media, he détourns the codes of Pop Art and narrative figuration to question the notions of identity, nationalism, war, consumption, and power. His famous character of the Balkan Superman, as well as his representations of eagles, flags, or modern heroes, testify to a critical reflection on collective narratives and the mechanisms of propaganda.
Influenced as much by Nouveau Réalisme, American Pop Art, Narrative Figuration, Eastern European avant-gardes, and conceptual art, Vuk Vidor develops an aesthetic where humor, irony, and provocation serve as an analysis of political and cultural power relations. His work combines great technical mastery with an intellectual reflection on the global circulation of images, media, and contemporary identities. Painting thus becomes a space of confrontation between fiction, historical memory, and current events.
Since the 1990s, Vuk Vidor has exhibited numerous solo and group exhibitions in France, Serbia, Germany, Italy, the United Kingdom, the United States, China, and many other countries. His works have been exhibited at the Centre Pompidou, the Palais de Tokyo, the Museum of Contemporary Art Belgrade, as well as in numerous international galleries. They are now in several public and private collections. A major figure in the European contemporary art scene, Vuk Vidor pursues a committed work where contemporary painting, political art, Pop Art, figuration, popular culture, globalization, and social critique meet in a powerful and resolutely current plastic language.
Reviews from our customers
All our reviews are extracted from Verified Reviews