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Paris Review, 1968
Louise Nevelson   Master Artists

Print : Screen Print · 72.4 x 53.3 cm 28.5 x 21 inch

€1,868 1 868 €
Delivered in time for Christmas

One of the last works available by this artist

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Shipped from: United States

Delivery to: Germany , € 89

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 100 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

72.4 x 53.3 cm 28.5 x 21 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description
Date: circa 1968.
Screenprint, signed and numbered in pencil.
Image Size: 28.5 x 21 inches.
Size: 40 x 26 in. (101.6 x 66.04 cm).

Abstract

Geometric

60s

Literature

Magazine

Black

Louise Nevelson, Paris Review
United States  • 1899  - 1988

Presentation

Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson carefully arranged the objects in order to historicize the debris within the new, narrative context of her wall sculptures. The stories embodied within her works resulted from her cumulative experiences - as a Jewish child relocated to America from Russia, as an artist training in New York City and Germany, and as a hard-working, successful woman. Her innovative sculptural environments and success within the male-dominated realm of the New York gallery system inspired many younger artists, primarily those involved in installation art and the Feminist art movements.

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