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Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
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Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper
Al Held, Jewel of Dalmatia, Print on paper

Jewel of Dalmatia, 1991
Al Held   Master Artists

Print : lithography, paper · 74 x 93 cm 29.1 x 36.6 inch

€3,000 3 000 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 30

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Verified Reviews : 9.6/10
9.6/10
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About the artwork

Type

Print : numbered and limited to 75 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

lithography , paper on paper

Dimensions ( cm • inch )

74 x 93 cm 29.1 x 36.6 inch Height x Width x Depth

Sold by

Art gallery

Galerie Hus • France

Credentials

Vetted seller since 2015

Description
Held Al, original lithograph on paper, Jewel of Dalmatia, signed and numbered in pencil by the artist, 1991, 75 impressions, sheet size 93,5 cm x 74 cm, image size 93,5 cm x 74 cm. Edited and printed by Poligrafa, Barcelona.

Abstract

Still Life

Circle

Colors

orange

Yellow
Al Held, Jewel of Dalmatia
Al Held

Al Held

United States  • 1928  - 2005

Presentation

Painter Al Held was born in New York City. During the 1950s painted in the abstract expressionist manner. From 1960 he adopted a more geometric style, painting complex cube-like structures with heavy impasto paint. In the 1980s Al Held turned to acrylic paints, rendering precise and brightly coloured geometric forms in a deep perspectival space.

Al Held was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form.

In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 60s. During the 1980s there was a shift into acrylic painting that emphasized bright geometric space that’s deepness reflected infinity. From 1962 to 1980 Al Held was a professor of art at Yale University.

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