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2021
Françoise Pétrovitch
Print : aquatint, etching 25.8 x 19.8 inch
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About the artwork
Artwork sold in perfect condition
Aquatint in 2 colors on Hahnemühle paper, collage of Japanese paper dyed red. Edition of 35 copies, numbered and signed by the artist in pencil. Printed on the presses of the René Tazé workshop by Bérengère Lipreau.
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About the seller
MEL Publisher
• PARIS, France
Artsper seller since 2019
Top Seller
Vetted Seller
Medium
Dimensions
cm • inch
25.8 x 19.8 inch
Framing
Not framed
Type
Numbered and limited to 35 copies
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Collector’s Guide
Colors
Tags
Themes
Worldwide delivery
The artwork is available for pickup from the gallery in PARIS, France or can be delivered to the address of your choice less than a week after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery
Origin: France Find out more about delivery
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If you change your mind, you can send it back free of charge, and we'll reimburse you.
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The currencies used on Artsper are the euro €, the US dollar $, the pound GBP £ and the franc CHF. Find out more about payment
The currencies used on Artsper are the euro €, the US dollar $, the pound GBP £ and the franc CHF. Find out more about payment
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Discover more by the artist

Born in 1964 in Chambéry, Françoise Pétrovitch lives and works in Cachan outside Paris. She teaches in Paris at Ecole Estienne, known as the Estienne school of graphic arts and industries (ESAIG). It prepares young creators in the trades of printing, communication design and the art of book.
Drawing holds a significant place among the different materials that Françoise Pétrovitch uses - ceramic, glass, lavis, painting, edition or more recently video clips. It reveals the plastic economy marked by the exactness (of the line, the frank choice of the color), the absence of comments and the preservation of the viewer (in order to enter the universe). Drawing is in the heart of Françoise Pétrovitch' artistic practice. Representing the liberty and spontaneity of a gesture that immediately translates the thought of the artist.
Through her drawings, engravings, paintings and sculptures, Françoise Pétrovitch shows an ambivalent universe where childhood images are replaced by strange figures playing with the boundaries between female and male, humans and animals.
By means of sculpture, photography and mostly drawing, Françoise Pétrovitch gives life to hybrid forms, scary without looking like, animals and humans - women, teenagers, children - and reveals beings in their intimacy that appear to be inhabited by their thoughts and secret wounds.
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