Senza titolo, Circa 1980
Print : lithography · 70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch
€99
99 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: France , € 30
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 150 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Lithograph on Fabriano paper.
Signed and numbered in pencil by the artist on the front.
eg. 136/150.
Embossed stamp of the printer lower right.
Provenance Dialoghi Club Biella.
We are at your complete disposal for any information and/or requests for images and details.
Each graphic work is accompanied by a certificate of authenticity and provenance (signature and embossed stamp with description, photographic reference and numbering) issued in accordance with the law as authorized subjects.
The works can be viewed in Rimini/Riccione, by appointment, without any commitment and kept in the protective folder without a frame, untouched and in perfect condition - any exceptions are always indicated in the description.
The details and images of critical texts and/or catalogs are presented for descriptive and informative purposes only, they are not included in the sale but we will gladly release a copy upon request.
The sample of graphics delivered could have a different numbering based on the availability of the edition.
Shipping with tracking via express courier in professional rigid anti-burglary packaging.
Signed and numbered in pencil by the artist on the front.
eg. 136/150.
Embossed stamp of the printer lower right.
Provenance Dialoghi Club Biella.
We are at your complete disposal for any information and/or requests for images and details.
Each graphic work is accompanied by a certificate of authenticity and provenance (signature and embossed stamp with description, photographic reference and numbering) issued in accordance with the law as authorized subjects.
The works can be viewed in Rimini/Riccione, by appointment, without any commitment and kept in the protective folder without a frame, untouched and in perfect condition - any exceptions are always indicated in the description.
The details and images of critical texts and/or catalogs are presented for descriptive and informative purposes only, they are not included in the sale but we will gladly release a copy upon request.
The sample of graphics delivered could have a different numbering based on the availability of the edition.
Shipping with tracking via express courier in professional rigid anti-burglary packaging.
Presentation
Nino Aimone (1932-2020) frequenta lo studio di Felice Casorati dal 1951 al 1954; in quegli anni è tra i fondatori della rivista “Orsa Minore”.
Fino al 1961, l’attività artistica è condizionata dal suo lavoro, prima come operaio quindi come disegnatore grafico pubblicitario presso la Fiat.
A partire dalla seconda metà del Novecento, a Cervo si formò così una piccola comunità di pittori torinesi, tutti esponenti di spicco del panorama artistico nazionale: tra i primi ad arrivare fu l’artista Francesco Casorati con il padre Felice e la madre Daphne Maugham.
Poco dopo giunsero Piero Martina, Francesco Menzio, Nicola Galante, Sergio Saroni, Romano Campagnoli con il padre Adalberto.
Fu la volta quindi dei più giovani Mauro Chessa e Nino Aimone.
A partire dal 1967 è assistente all’Accademia delle Belle Arti di Torino, prima al corso di Pittura, poi a quello di Incisione e infine a quello di Decorazione.
Nel 1989 gli viene assegnata la cattedra di Decorazione all’Accademia di Belle Arti, prima a Venezia e l’anno successivo a Torino dove insegna tutt’ora.
Ha esordito nel 1954, partecipando in seguito a varie importanti rassegne nazionali e internazionali: la XXVIII e la XXIX Biennale di Venezia e la Quadriennale di Roma del 1965 per citare le più importanti.
Nel 1995 e stata ordinata una mostra antologica al Circolo degli Artisti di Torino.
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