Interior de la Iglesia de Espejo (Cordoba) en septiembre de 1937, 1974
Print : lithography · 69 x 71 cm 27.2 x 28 inch
€300
300 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 35
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 110 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
69 x 71 cm 27.2 x 28 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Description
Hand-signed lithograph, justified and dated in pencil by the artist
Edition of 75 + XXV + 10 HC copies
Sheet sizes : 69cm x 71cm
Image sizes : 49cm x 49cm
Edition of 75 + XXV + 10 HC copies
Sheet sizes : 69cm x 71cm
Image sizes : 49cm x 49cm
Presentation
Equipo Realidad is a group of artists, comprised of Joan Cardells (Valencia, 1948) and Jorge Ballester (Valencia, 1941-2014). They graduated from the San Carlos Fine Arts school in 1964, they participated in activities pertaining to the Free Student Union, resistant towards the Francisco Franco government. Equipo Realidad works with the Union of students and for alternative libraries of Valencia, and produces decorative panels in acrylic paint.
The duo began their career in 1966 and remained active until 1976. They belonged to the community of Valencia « Chronicle of Reality », a movement of critic figuration and pop aesthetics which was developed during the 60's. They address themes like war, politics, consumer, femininity and role of art.
Equipo Realidad expressed dissatisfaction with the official culture promoted by the regime. With the help of media aesthetics, Equipo Realidad strives to encourage spectators into participating and re-evaluating the Spanish culture, which is caught between imperialism and academia.
The duo began their career in 1966 and remained active until 1976. They belonged to the community of Valencia « Chronicle of Reality », a movement of critic figuration and pop aesthetics which was developed during the 60's. They address themes like war, politics, consumer, femininity and role of art.
Equipo Realidad expressed dissatisfaction with the official culture promoted by the regime. With the help of media aesthetics, Equipo Realidad strives to encourage spectators into participating and re-evaluating the Spanish culture, which is caught between imperialism and academia.
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