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Monkey Pod (Red & Gold VSE), 2021
Shepard Fairey (Obey)   Best sellers Famous Artists

Print : Stencil · 52.1 x 67.3 cm 20.5 x 26.5 inch

$12,000 12 000 $US
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Shipped from: United States

Delivery to: United States , $ 44

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 20 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

52.1 x 67.3 cm 20.5 x 26.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description
Shepard Fairey (b. 1970, USA) "MONKEY POD" - RED & GOLD VSE; #9/20; Measurements are 26.5 x 20.5 inches. Variable Stencil Edition (VSE) on Paper. Hand Signed by Shepard Fairey, American contemporary street artist, graphic artist, and muralist. This work of art is from a very small numbered edition of 20. Comes with a Certificate of Authenticity. The Hecho Con Ganas Publishing Chop is in lower left corner.

This Monkey Pod VSE (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Yerena. Each piece is a stencil painting with letterpress lantern images glued in position to add an additional dimension to the art. The price difference between the two variable editions is because of the greater technical and labor-intensive demands of the red and gold version. A portion of the proceeds from these stencil pieces will go to the NRDC to support their efforts to improve environmental regulations and policies.
I originally made the Monkey Pod image based on a tree on the grounds of The Contemporary Museum in Honolulu, where I completed a residency back in 2005. I was presented with a unique conundrum: Hawaii doesn’t have outdoor advertising, which my street art was designed to compete with and make people question. After visiting Hawaii, I realized that the primary form of propaganda was not advertising but the clichés of Hawaii itself: Coke machines have palm trees instead of Coke logos on them, phone booths have floral patterns running down the side, and everyone wears Aloha shirts. All the clichés of Hawaii’s picturesque beauty are perpetuated to encourage tourism. However, for once, I got to make art that was decorative, beautiful, and a celebration of nature while still incorporating my iconography in a conceptually, if not visually incongruous, way. – Shepard

Street art

Fantastic

Semi-abstract

colorful

golden

Red

Shepard Fairey (Obey), Monkey Pod (Red & Gold VSE)
United States  • 1970
6935 followers

Presentation

Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.

In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.

At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.

In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.

Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.

Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.

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