Bronze Sculpture for Sale
Sans titre ( Robot), Circa 1999
Print : Screen Print · 68 x 49 x 0.2 cm 26.8 x 19.3 x 0.1 inch
€410
410 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 26
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 37 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
68 x 49 x 0.2 cm 26.8 x 19.3 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Originally was part of a portfolio presented by several artists in homage to Federico Garcia Lorca. Signed in pencil and numbered EA 8/37
Presentation
Kriki is an artist born in 1965 in Paris; he lives and works in Paris.
In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew.
Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.
In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”.
In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew.
Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.
In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”.
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