Bronze Sculpture for Sale
Robot, 1999
Print : Screen Print · 68.3 x 48.7 cm 26.9 x 19.2 inch
€868
868 €
One of the last works available by this artist
Shipping & delivery
Shipped from: United States
Delivery to: France , € 137
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 32 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Screen Print on Fine art paper
Dimensions ( cm • inch )
68.3 x 48.7 cm 26.9 x 19.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Medium: Silkscreen on Conqueror 300 with Deckled Edges
Edition: of 32
Year: 1999
Notes: From the Federico Garcia Lorca portfolio. Idea for graphic portfolio Federico Garcia Lorca was born in 1977 in Madrid by the curator and art collector Toni Politeo. International artists should make artistic contributions in memory of Federico Garcia Lorca.
In the summer of 2003 the project was completed. The Garcia Lorca portfolio which contains coloured litho- graphs and serigraphs originated in the 1990ies. It is a homage to a generalist who sowed instead of hatred, violence, intolerance and political regress love, truth and understanding and who united the folk art of his homeland with modernity.
Politeo's compilation became also an informative tour through the contemporary international art and the list of the involved artists sounds like a "who is who" in modern art.
Edition: of 32
Year: 1999
Notes: From the Federico Garcia Lorca portfolio. Idea for graphic portfolio Federico Garcia Lorca was born in 1977 in Madrid by the curator and art collector Toni Politeo. International artists should make artistic contributions in memory of Federico Garcia Lorca.
In the summer of 2003 the project was completed. The Garcia Lorca portfolio which contains coloured litho- graphs and serigraphs originated in the 1990ies. It is a homage to a generalist who sowed instead of hatred, violence, intolerance and political regress love, truth and understanding and who united the folk art of his homeland with modernity.
Politeo's compilation became also an informative tour through the contemporary international art and the list of the involved artists sounds like a "who is who" in modern art.
Presentation
Kriki is an artist born in 1965 in Paris; he lives and works in Paris.
In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew.
Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.
In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”.
In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew.
Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.
In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”.
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