Audith Rhodes, 2019
Print : acrylic, paper, Screen Print · 30.5 x 25.5 x 2.54 cm 12 x 10 x 1 inch
$2,150
$1,935
1 935 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: United States
Delivery to: United States , $ 150
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , paper , Screen Print on wood
Dimensions ( cm • inch )
30.5 x 25.5 x 2.54 cm 12 x 10 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Medium: Hand Embellished Screen print in Colors on Advertising paper, Wheat Pasted on Found Plywood with an Acrylic Coat Finish with Nail
Edition: Unique Edition 25 of 30
Notes: Hand Signed & Numbered on Verso. Gallery COA Included
Presentation
One of the most influential street artists to emerge from New York, Dain combines the visual language of graffiti with collaged old portraits of Hollywood glamour stars.
Crossing genres and often working single pieces back and forth between the street and studio, Dain combines wheatpasting, silkscreening, spray paint, collage, and acrylic. His process begins with a black-and-white photo that he layers with old advertisements, printed fragments, logos, and miscellaneous smaller images.
He then begins adding paint; his unmistakable trademark is the “circle and drip” around the eye of his subjects. Dain views his work as a confrontation between the destructive gestures of graffiti and the femininity of his Hollywood subjects.
Crossing genres and often working single pieces back and forth between the street and studio, Dain combines wheatpasting, silkscreening, spray paint, collage, and acrylic. His process begins with a black-and-white photo that he layers with old advertisements, printed fragments, logos, and miscellaneous smaller images.
He then begins adding paint; his unmistakable trademark is the “circle and drip” around the eye of his subjects. Dain views his work as a confrontation between the destructive gestures of graffiti and the femininity of his Hollywood subjects.
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