Pour Jorn, 1975
Print : lithography · 75 x 54 cm 29.5 x 21.3 inch
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Shipped from: France
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 100 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
75 x 54 cm 29.5 x 21.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Editions Silkeborg Museum, Denmark (Asger Jorn Foundation)
CENTER POMPIDOU COLLECTION (AM 1976-172)
printed by Imprimerie Clot, Bramsen & Georges (Atelier Clot) on 350g Arches cotton paper
Hand signed and numbered by the artist
Original lithograph (The lithograph is drawn on stone by the artist's hand, the work only exists on paper)
Proof of Drawing:
- 100 copies numbered 1/100 to 100/100 on Arches paper.
- 20 Hors Commerce copies numbered I/XX to XX/XX on Arches paper.
- various tests including 5 from A/AE to E/AE.
Full edition information, including:
Lithograph from the portfolio album with 14 color lithographs by Alechinsky, Appel, Baj, Constant, Corneille, Dotremont, Lam, Matta, Michaux, Saura, Ting, Van Velde, Wemaëre, and Wyckaert.
Shortly after Asger Jorn's death, on May 1, 1973, a Foundation was created in his memory, the purpose of which is to spread and make his work better known.
To date, the Foundation has received numerous individual and public supporters, including those of the two Danish artists, Henry Heerup and Per Kirkeby, and the printer-lithographer Bjørn Rosengreen, who donated an edition of print.
The album "Pour Jorn" was produced with the participation of artists who were friends of Jorn and who lived outside Denmark. The technical production of the work was carried out by the Atelier Clot, Bramsen & Georges, loyal collaborators of Asger Jorn and his long-time friends. “For Jorn" is a tribute that will provide the Foundation with the resources needed to carry out some of the projects undertaken by Asger Jorn and interrupted by his death. The Foundation thanks all the artists who participated in this album.
Presentation
Born in Brussels in 1927, Pierre Alechinsky is a renowned Belgian artist known for his dynamic, calligraphic style and his influential role in the Cobra movement.
In 2024 and 2025, Pierre Alechinsky's work continues to be celebrated through notable exhibitions:
"Alechinsky, Pinceau Voyageur" at Fondation Boghossian, Brussels (October 19, 2024 – March 16, 2025): This exhibition delves into Alechinsky's lifelong fascination with Japanese calligraphy and his collaborations with poets like Henri Michaux and Christian Dotremont. It showcases his journey and the evolution of his artistic expression.
"Ne fêter ni l'an ni la vitesse" at Galerie Lelong & Co., Paris (January 16 – March 8, 2025): Centered around a significant lithograph created nearly three decades ago, this exhibition features a collection of Alechinsky's prints. The showcased lithograph exemplifies his signature style, presenting a dynamic central image surrounded by smaller, detailed vignettes.
From 1944 to 1948, Alechinsky studied typography, photography, and printmaking at the École nationale supérieure d'architecture et des arts décoratifs de la Cambre in Brussels. During this time, he discovered the works of Michaux, of Dubuffet, and of the Surrealists, which greatly influenced his artistic development. In 1947, he held his first solo exhibition, marking the beginning of a prolific career.
In 1949, Alechinsky joined the avant-garde Cobra movement , founded by artists Christian Dotremont, Asger Jorn, and Karel Appel. The movement embraced spontaneity, expressive gestures, and a rejection of formal abstraction, principles that remained central to Alechinsky's work. Even after Cobra dissolved, he continued to uphold its spirit, famously stating, "Cobra is my school."
Moving to Paris, he trained as an engraver at Atelier 17 under Stanley William Hayter and developed friendships with key figures like Alberto Giacometti, Bram van Velde, and Walasse Ting. During this period, he also explored Japanese calligraphy, drawn to its fluid spontaneity, and traveled to Kyoto, where he created a documentary on traditional Japanese art.
In the 1960s, Alechinsky made frequent visits to New York, where he embraced acrylic painting, introduced to him by Walasse Ting. This technique enabled him to develop his signature "paintings with notes in the margins", inspired by comic book layouts. His most famous work, "Central Park" (1965), exemplifies this approach, blending bold gestures with intricate visual storytelling.
Beyond painting, Alechinsky was passionate about literature and book illustration, collaborating with writers like Emil Cioran, Michel Butor, Yves Bonnefoy, and André Frénaud. His works have been showcased in major international exhibitions and retrospectives, cementing his status as a leading contemporary artist.
In 1983, Alechinsky became a professor of painting at the École nationale supérieure des Beaux-Arts in Paris. His artistic legacy spans diverse media, including large-scale public commissions such as works for the Palais Bourbon and the French Ministry of Finance. Today, his paintings and prints are held in prestigious collections worldwide.
Pierre Alechinsky continues to live and work in Bougival, France, where he remains an enduring force in contemporary art.
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