Effondrement (Portfolio of 2), 2013
Print : etching · 76.2 x 94.9 x 0.01 cm 30 x 37.4 x 0 inch
€9,000
9 000 €
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Shipped from: Switzerland
Delivery to: Germany , € 400
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Verified Reviews : 9.6/10
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J/Y Delaunay-Israël
Fine Art Drawings . 84 x 49 x 1 cm Fine Art Drawings . 33.1 x 19.3 x 0.4 inch
€415
About the artwork
Type
Print : numbered and limited to 40 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
76.2 x 94.9 x 0.01 cm 30 x 37.4 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
76.2 × 94.9 cm
(30 × 37.4 in)
Signed
Edition of 40
Bernard Venet is well known for his amorphous installations made by piling up loose gravel, coal, or asphalt and “industrial paintings" from cardboard reliefs or tar. In the middle of the 1970ies he made the line the central subject of his work. This etching shows the particular importance of the line for the artist. The line is not simply a line, in fact it seems to move, and it looks like a three- dimensional, instable figure. It essentially forces the viewer to follow its course in search for the beginning and the end.
Presentation
Bernar Venet is a French visual artist, born in 1941 in Château-Arnoux-Saint-Auban in Alpes-de-Haute-Provence. He has been living in the United States since 1966 where he has become known for his steel sculptures and his drawings. In the 60s, Venet showcased canvases covered with tar.
Bernar Venet's notoriety began during this period, with the creation of a formless sculpture, composed of a pile of coal poured on the ground. His capacity for intellectual abstraction and his taste for mathematical reasoning and experimentation lead Venet to what was soon to become conceptual art.
In the 80s, Bernar Venet set up the basic structure of his "Lignes indéterminées". He produced them in steel and installed in many urban spaces and public collections, including Nice, Paris, Berlin, Tokyo, Strasbourg, Beijing, Austin, San Francisco, Museum of Grenoble. In 2011 Venet installed his monumental works in the Versailles gardens.
In 2022, Berlin's Tempelhof Kunsthalle hosted a five-month long retrospective spanning the artist's career from 1961 to 2021.
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