12022.1.6 - Série Qi, 2022
Painting : acrylic · 80 x 44 x 0.5 cm 31.5 x 17.3 x 0.2 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: Island of Reunion
Delivery to: United States , $ 169
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic on Diasec and Dibond
Dimensions ( cm • inch )
80 x 44 x 0.5 cm 31.5 x 17.3 x 0.2 inch Height x Width x Depth
Artwork dimensions including frame
84 x 48 x 5 cm 33.1 x 18.9 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2023
Description
I paint to express the unspeakable. My paintings must be felt, before trying to understand; like when you listen to music.
There are visual clues scattered throughout the paintings; the viewer must allow himself time for an intuitive game of going back and forth between the painting and himself.
It is also the expression of my polymath approach.
XD
Presentation
Xavier Daniel is a visual artist living in Reunion Island. Born in 1968 in Rouen, the son of an architect, he first studied physical sciences, while practicing photography and drawing as an autodidact. He moved to Reunion Island in 1996 and enrolled in the Ecole des Beaux Art, which led him to obtain a DNAP. Since then, he has made a living from his artistic production, leading workshops and creative residencies, exhibiting in Reunion Island, the Indian Ocean region, Asia and mainland France.
Xavier Daniel's artistic career is both diverse and coherent. The practice of drawing, painting, writing, and sculpture accompanies his entire approach, which crystallized in the 2000s.
with the Cheminement(s) exhibition and the creation of the eponymous association. It was then with the art marron collective, co-founded in 2006, that taking into account public space and the exhibition context took on importance in the visual artist's approach around the notions of installations and in situ.
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