Sans titre, 1958
Hans Bellmer   Famous Artists

Print : dry point, etching · 50.5 x 32 x 0.1 cm 19.9 x 12.6 x 0 inch

€700 700 €
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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 99 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50.5 x 32 x 0.1 cm 19.9 x 12.6 x 0 inch Height x Width x Depth

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Credentials

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Description

Edition of 49/99 on Lana paper. 

Publisher: Éditions Borderie, Paris.

Reference: Hans Bellmer, Sans titre, LaM Museum (Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut), inv. 984.12.2. https://www.musee-lam.fr/fr/sans-titre-177.

The work is in Good condition.

Abstract

figurative

Figuration

Black

Hans Bellmer, Sans titre

Hans Bellmer

France  • 1902  - 1975

Presentation

Hans Bellmer was born in 1902 in Kattowitz and died in 1975 in Paris, he is a French and German painter, photographer, engraver and sculptor. And is most of all one of the major representatives of Surrealism.

In 1923, Hans Bellmer started his studies at the Technical University of Berlin. Over there, he got particularly interested in politics, the work of Karl Mark, and the realisations of the artist Dada. Soon, Hans Bellmer did his first of several journeys to Paris, where he met the Dada and Surrealist communities. When he came back to Berlin, he decided to open an advertising studio.

In 1933, his work and in particular his Poupées, are compared to «degenerated art» according to the Nazis that just came to power. In 1923, he decided to definitely settle in Paris where he participated for a few years in the Surrealist exhibitions. At the beginning of the Second World War, Hans Bellmer was trapped at the Camp des Milles with artists as Max Ernst, Springer and Wols.

In the 1930's until his death, Bellmer worked almost exclusively from erotic images always feminine, most of the time from the body of a battered woman.

The work of Hans Bellmer is often wrongly compared to perversion. His work is above all a precious poetic testimony of Surrealism, of course in the most extreme way.

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