Madame Edwarda. Paris: Georges Visat, 1965
Hans Bellmer   Famous Artists

Print : etching · 40 x 26 x 3 cm 15.7 x 10.2 x 1.2 inch

€8,600 8 600 €

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Shipped from: Australia

Delivery to: Germany , € 198

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About the artwork

Type

Print : numbered and limited to 167 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 26 x 3 cm 15.7 x 10.2 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2023 • Top Seller

Description

12 copper engravings by Hans Bellmer, including the frontispiece and a vignette in the colophon, all signed in pencil by Bellmer. In sheets in the original white card covers, spine printed in black. original lilac moiré silk chemise and slipcase, the spine titled in gilt and a little water stains. First edition illustrated by bellmer, with twelve engravings signed by the artist. Bellmer's remarkable images are drawn 'with the sharpness of a scalpel... they crystalize, exceed and exude Bataille's text, whose realism derives from its lyrical brilliance rather than its precision of detail. It is this very difference in approach, this unique vision, that makes the artist the equal of the author, rather than a mere illustrator' (Eros invaincu). One of 167 copies only, this one number 118. Eros invaincu 102; Pia Enfer, 852.

Hans Bellmer

France  • 1902  - 1975

Presentation

Hans Bellmer was born in 1902 in Kattowitz and died in 1975 in Paris, he is a French and German painter, photographer, engraver and sculptor. And is most of all one of the major representatives of Surrealism.

In 1923, Hans Bellmer started his studies at the Technical University of Berlin. Over there, he got particularly interested in politics, the work of Karl Mark, and the realisations of the artist Dada. Soon, Hans Bellmer did his first of several journeys to Paris, where he met the Dada and Surrealist communities. When he came back to Berlin, he decided to open an advertising studio.

In 1933, his work and in particular his Poupées, are compared to «degenerated art» according to the Nazis that just came to power. In 1923, he decided to definitely settle in Paris where he participated for a few years in the Surrealist exhibitions. At the beginning of the Second World War, Hans Bellmer was trapped at the Camp des Milles with artists as Max Ernst, Springer and Wols.

In the 1930's until his death, Bellmer worked almost exclusively from erotic images always feminine, most of the time from the body of a battered woman.

The work of Hans Bellmer is often wrongly compared to perversion. His work is above all a precious poetic testimony of Surrealism, of course in the most extreme way.

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