14R4 1-2-3, 2014
Pierre Muckensturm   Master Artists

Print : ink, engraving · 47 x 114 x 0.1 cm 18.5 x 44.9 x 0 inch

$1,542 1 542 $US

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Shipped from: France

Delivery to: United States , $ 252

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 11 copies

9 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

47 x 114 x 0.1 cm 18.5 x 44.9 x 0 inch Height x Width x Depth

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Vetted seller since 2015 • Top Seller

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Description

Edition of 11 copies, numbered from 1 to 11/11. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is No. 9/11.

This work will be shipped rolled in a tube.

Following an artist residency in Dakar in 2010, Pierre Muckensturm developed a long-term exploration of the coexistence between two opposing forces: the freedom of the curved line and the rigour of geometric, orthogonal construction.

Today, his practice is defined by radical simplification and a highly structured conceptual approach. He creates series based on pre-established principles, using repetition and modular variation to test—and subtly disrupt—formal systems. A central element of his work is the importance given to residual space: whites, voids, unpainted areas, and deliberately unfinished zones, where tension and meaning are allowed to emerge.

His recent works make visible the “disturbance" caused when curvature enters strict geometry, resulting in compositions that feel both controlled and playful—rigorous yet quietly rebellious.

Abstract

Geometric abstraction

Triptych Artworks

White

Black

France  • 1970
134 followers

Presentation

Pierre Muckensturm is a french abstract painter and print maker born in Strasbourg, currently living in Colmar. He studied at Louis Pasteur University in Strasbourg. He is searching for the symbol, the matter and the light in the dark and the silence. He loves the dark, but he loves it from a scientist's point of view. « It's substantive work: the research of non-colour ». Or the research of a material. He starts with figurative painting and discovers abstraction in 2004 through Le Corbusier.

This is what Pierre Muckensturm says about his paintings : « The canvas is not a support anymore. I work on what it undergoes ». The canvas becomes painting in the end, and the black allows the examination of its apparent silence. So the color is not interesting in this context. He is inspired by calmness, constancy and temporality. He meets Julius Bissier, whose work also brings tranquility.

And neither is the shape: « The cross is a meeting point. This is where it happens ». The cross and the black question the « the immensity, or not ». This is a question of weightlessness, « of acceptance of the imbalance ». Not a shape, event if it owes its symmetry and its relentless geometry to the Alsatian culture, so rigourous and so well-ordered.

In 2004, he starts working on large scales canvases with oil painting, mixing calmness and intensity, sometimes adding printmaking, therefore exploring time and perspective.

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