Bronze Sculpture for Sale
Banana Republic #4, 2023
Print : Screen Print · 55 x 50 x 0.1 cm 21.7 x 19.7 x 0 inch
€175
175 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 12
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
55 x 50 x 0.1 cm 21.7 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work intensifies the visual impact by anchoring the central figure in a darker, more organic tension. The anthropomorphic primate, always facing forward, presents an altered face: a visible scar, a nasal ring, gapped teeth, and an open mouth in an expression that oscillates between relaxation and distortion. The gaze, half-extinguished, no longer supports the structure of the face; it glides.
The identifying elements—pink hat, long hair, padlock hanging from the ear, brightly colored clothing—do not create coherence but signal a heterogeneous accumulation. Each detail acts as an outgrowth rather than an integrated component. The body becomes a canvas for visual grafts.
The background, composed of Banana Republic banknotes, introduces a new texture: a field of repeated skulls that replaces all neutrality. The monetary image is invaded by funereal iconography, while the stylized face of the primate, reduced to a pictogram, persists as a motif. Value and disappearance coexist without hierarchy.
The composition maintains a rigid frontality but reveals an internal decay. The contours remain, but what they contain becomes disorganized. The face no longer functions as a center; it becomes a vanishing point, traversed by signs that do not converge.
The color retains an artificial intensity, but it no longer masks. It reveals through contrast: the pink of the skin, the acid green of the clothing, the dense black of the background. The whole produces a collision between chromatic vitality and deadly saturation.
The work presents a state of altered persistence: a form that continues to appear despite the disintegration of its own elements. The interface still holds, but what it reveals is an unstable assemblage, where presence gradually merges with its own erasure.
Presentation
Karl Kox (1990) is a Franco-Belgian artist, from a family of intellectuals.
A self-confident dunce with a chaotic educational background, he leaves the family fold quite early to “See the World"
After several artistic collaborations and training as a graphic designer, he decided to strike out on his own.
Passionate about digital art, he has devoted himself to his career as an artist since 2022.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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