Noir de bleu, 2025
Caroline Veith  

Print : etching · 25 x 33 cm 9.8 x 13 inch

$1,405 1 405 $US
Shipping & delivery

Shipped from: France

Delivery to: United States , $ 228

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25 x 33 cm 9.8 x 13 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2013

Discount

This seller offers discount when you purchase multiple artworks.

Description

Monotype
Unique work
Signed and dated by the artist in the lower right corner

Caroline Veith, Noir de bleu
France  • 1958

Presentation

Caroline Veith was born in Le Havre in 1958.

She is a graduate of the ENSAAMA School.

Caroline Veith is developing today a unique way of connecting various aspects of the world. Some of her small-format works stage encounters between two or three characters, and others, larger ones, present numerous characters. In both cases, they are all close from the others but seem to live in a world in which they are alone.

In her works, everything depends on the paper, especially when the paper, in relationship with the light, becomes transparent and reveals layers that are otherwise invisible. The power of paper comes from the fact that it can resist to everything, throughout history or through the short and sudden time intervals of human gestures. Because paper can be scratched, traced on, folded twisted, unfolded? one has to try everything to free its interior breathing closed within. The paper is the clothing of dreams.

It is often colorless, just a network of lines of various thicknesses, various types of ink, suggesting various functions: forming a face, indicating a direction, creating a flower, a hand, covering a memory, drawing a fragment of a map, taking out a detail of a memory while drowning another one in a dark stain, opening a road or making a mountain crumble?

Through a game of ?invisible? surfaces on which the various elements that compose the artwork live, Caroline Veith creates a body of work that becomes a vector for her troubles. This is what gives her practice a magical power.

Jean-Louis Poitevin

Reviews from our customers

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