Peek a Boo Marilyn Suite, 2002
Mel Ramos   Master Artists

Print : lithography · 80 x 175.3 cm 31.5 x 69 inch

$20,000 20 000 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 199 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 175.3 cm 31.5 x 69 inch Height x Width x Depth

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Description

“Peek a Boo Marilyn Suite" by Mel Ramos captures the timeless beauty of Marilyn Monroe through bold Pop Art techniques that showcase the artist's iconic mastery of combining Hollywood celebrity with playful voyeuristic themes from the 1960s American art movement.

This comprehensive lithograph suite transforms the legendary actress into a celebration of feminine mystique and star power, rendered with Ramos's characteristic vibrant colors and sensual compositions that embody the spirit of Pop Art's commentary on celebrity culture and desire. The artist Mel Ramos revolutionized contemporary art by merging iconic Hollywood figures with pin-up aesthetics, creating works that bridge the gap between celebrity iconography and fine art expression. A perfect addition for collectors who appreciate Pop Art history and the intersection of Marilyn Monroe themes with mid-century American visual culture.

Peek a Boo Marilyn Suite by Mel Ramos, American (1935–2018)
Three Lithographs, each signed and numbered in pencil
Edition of 199
Size: 31.5 in. x 23 in. (80.01 cm x 58.42 cm), Each

Nude

Pop Art

Human body

Women

Marilyn Monroe

Pin-up

Yellow

Pink

Purple

Mel Ramos, Peek a Boo Marilyn Suite

Mel Ramos

United States  • 1935  - 2018
575 followers

Presentation

Born on July 24, 1935 in Sacramento, Mel Ramos began his artistic studies in his hometown in 1953. His first exhibition was held at the David Stuart Gallery in 1965 and he also had shows in Europe starting from 1971. The Oakland Museum in California organized his first retrospective exhibition in 1977.

His painting is clearly inscribed in the pop art movement. As Roy Lichtenstein, he is inspired at the beginning of his career by American comics, by the Batman or Flash Gordon logos. Pin-ups are also a recurring themein his work and he chooses to illustrate them by figures that are isolated on backgrounds represented by brand logos. From 1970 on, Mel Ramos hijacks classics of art history as Edward Manet's Olympia or Jacques-Louis David's « Amour et Psyché ».

Mel Ramos's work is present in more than thirty public collections, including the Smithsonian Institution in Washington, the Guggenheim and the MoMA in New York or the Hamburger Kunsthalle.

On the occasion of its 75th anniversary and of the anniversary of 50 years of Pop-Art, he had a major retrospective exhibition at the Albertina in Vienna and at the Villa Stuck in Munich.

An artist of the diversion, refusing to provoke, Ramos sees in the 60's California an anticipation of our civilization where images are omnipresent. By multiplying the representation of the female body without any sexual connotations but in the context of hijacked ads, Mel Ramos illustrates the derisory side of icons and symbols of the consumerist « religion ». (which sets him apart within the pop movement). This way, he also questions the true-false values that advertising and Hollywood put forward, starting with the emancipation of women. Focusing on the female figure and its natural side, he contributed to the contemporary evolution of the nude.

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