Montenegro I, 1973
Print : dry point · 76 x 56 cm 29.9 x 22 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 63
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
76 x 56 cm 29.9 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017
Description
Dado developed a lasting relationship with the engraver Alain Controu. The 1970s editions we are presenting on Artsper are works on paper where the artist engraves the copper directly without a preliminary drawing, creating forms from the fusion of two glacial elements: steel and metal. Dado engraves as he paints: he begins an image that he reworks endlessly for months, even years, to such an extent that the plate can shift from vertical to horizontal orientation. His burin probes deeply, carving and scraping the body like a surgeon's, as if, in the words of Michael Peppiatt, "the flesh had been woven, like a spider's web, around the bones." Dado is drawn to drawing for its rigorous and austere nature, recording everything like an electrocardiogram. Drawing, for him, is a classical representation of painting. "Drawing is as hard as salt," Dado tells us, "drawing with a pen is 60 times slower than with a lead pencil; the pen slows you down and you almost have to cut into the paper, like a tattoo, since paper has a dermis-like side."
Presentation
Since his childhood, he has memories of his homeland, but mainly of the Second World War, a rage in Yugoslavia. In 1944, his mother died and he was devastated. He decided to drop out of school and went back only in 1947 and joined the Fine Arts School of Herceg Novi. He then studied at the Fine Arts school in Belgrade.
Even though he didn't speak French, Miodrag Djuric moved to France in 1956. Quickly, he worked in a lithography studio, where he met Jean Dubuffet, a famous artist. The latter introduced him to Daniel Cordier, who was his key merchant for many years but also his mentor. Despite Dado's artistic rise, he didn't like the atmosphere in the capital and wanted some peace. He bought Cordier's old mill, located in Herouval.
In 1962, he became a world famous artist, Dado spent three months in New York, where he met his future wife Hessie. They had five children.
For more than sixty years, Dado created, painted and drew...He usually worked with oil, on large formatted canvases but also used acrylic and various mediums like wood or metal. Dado's work is organic, the artist tries to inspire energy in his paintings and forges a pictorial identity, which is easily recognizable. His style has evolved, especially through his use of colors.
In 1990, he began a series of mural paintings.
2000 onwards, he did digital collages and set off to create a virtual anti-museum, for which he had to make special works.
Dado also had a passion for lithography, engravings, sculptures and illustrations.
Famous gallery owners bet on Dado and exhibited in his work. Many of them were renowned museums like the Centre Pompidou or the Musée national d'art moderne in Paris, who still have some of his works.
Dado died in Pontoise, in 2010.
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