Original Screen Print, 2023
Print : Screen Print · 76 x 56 x 1 cm 29.9 x 22 x 0.4 inch
€3,990
3 990 €
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Shipped from: Switzerland
Delivery to: Germany , € 82
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 125 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
76 x 56 x 1 cm 29.9 x 22 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
An original screen print by the internationally acclaimed British artist David Shrigley.
Signed with the artist's initials (DS), dated 2023 and numbered on the verso.
Dominated by a large blue skull and crossbones painted in the artist's deliberately raw and expressive style, the image creates an immediate visual contradiction between its reassuring message and its unsettling imagery. The composition perfectly captures David Shrigley's unmistakable combination of dark humour, irony and social commentary.
Characterised by its playful yet provocative visual language, the print exemplifies why Shrigley has become one of the most influential contemporary British artists of his generation.
Sheet size: approx. 76 × 56 cm.
The work is offered unframed.
Handmade, custom framing is available upon request through our professional framing workshop, offering a wide range of styles, colors, and materials.
David Shrigley (born 1968) is one of Britain's most celebrated contemporary artists. Working across drawing, painting, sculpture, printmaking, animation and large-scale public installations, he is internationally recognised for his distinctive hand-drawn style, dry wit and sharp observations on modern life.
His works have been exhibited in leading museums and institutions worldwide, including the Hayward Gallery, London, the Museum Ludwig, Cologne, the Statens Museum for Kunst, Copenhagen, and the National Gallery of Victoria, Melbourne. In 2016, his monumental sculpture Really Good occupied London's famous Fourth Plinth in Trafalgar Square, further establishing his international reputation. His limited edition prints are highly sought after by collectors worldwide.
Authenticity and provenance guaranteed.
Delivered with a certificate of authenticity.
Worldwide shipping, tax-friendly to the USA and other countries.
Custom handmade framing available on request.
Presentation
David Shrigley, born on September 17, 1968, in Macclesfield, is a British visual artist known for his distinctive graphic style and absurdist humor. A graduate in Environmental Art from the Glasgow School of Art in 1991, he lived in Glasgow for 27 years before relocating to Brighton and Devon in 2015.
His work, characterized by intentionally naïve line drawings accompanied by ironic text, offers a sharp and humorous commentary on the absurdities of everyday life. Although drawing is central to his practice, Shrigley also works with sculpture, animation, photography, music, and installations. Among his notable projects are the monumental sculpture Really Good (2016), installed on the Fourth Plinth in Trafalgar Square, London, and the exhibition Pulped Fiction (2023), in which he pulped 6,000 copies of The Da Vinci Code to reprint George Orwell's 1984.
Shrigley was nominated for the Turner Prize in 2013 and was appointed Officer of the Order of the British Empire (OBE) in 2020 for his services to visual arts. He also received an honorary doctorate from De Montfort University in 2014. His work has been exhibited in prestigious institutions such as the Hayward Gallery in London (Brain Activity, 2012), the National Gallery of Victoria in Melbourne (Life and Life Drawing, 2014), and the Rose Art Museum in the United States (Life Model II, 2016).
Dedicated to promoting arts education, Shrigley unveiled a giant animatronic praying mantis sculpture, Mantis Muse, at his former school in Oadby in 2024 to highlight the importance of including the arts in school curricula. He advocates for transforming the STEM acronym into STEAM, incorporating the arts alongside science, technology, engineering, and mathematics.
His publications include Worried Noodles, a collection of texts set to music by various artists, and What the Hell Are You Doing?, a compilation of his most iconic works. Shrigley continues to shape contemporary art with his unique approach, blending dark humor and social critique.
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