Untitled (All communication must cease), 2014
Fine Art Drawings : marker · 36.5 x 28 x 2 cm 14.4 x 11 x 0.8 inch · Ready to hang
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Shipped from: United States
Delivery to: Germany , € 301
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
36.5 x 28 x 2 cm 14.4 x 11 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
41.58 x 33.08 x 2.54 cm 16.4 x 13 x 1 inch
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Artist: David Shirgley
Title: Untitled (All communication must cease)
Size: 36.5 x 28 cm (14.5 x 11 in.) Framed
Medium: Unique Marker on Paper
Edition: Original
Year: 2014
Notes: Signed and dated on verso. In very Good Condition. Custom Framed.
Anton Kern Gallery, New York Acquired from the above by the present owner by Phillips
About: David Shrigley (British, b.1968) is a celebrated Contemporary artist working in a distinctive drawing style, combining handwritten humorous text with child-like imagery of animals, people, aliens, and everyday still lives. In addition to his drawing practice, Shrigley also creates large-scale installations and sculptures that are derived from these works, as well as books, videos, photography, and other media. His work has been exhibited worldwide, including solo exhibitions at Anton Kern Gallery in New York, the Statens Museum for Kunst in Copenhagen, Yvon Lambert in Paris, and the UCLA Hammer Museum in Los Angeles, among many others. Born in Macclesfield in the United Kingdom, Shrigley received his BFA from the Glasgow School of Art in 1991. He is the recipient of several honors, and was notably nominated for the Turner Prize in 2013. He chosen to create a new public sculpture for Trafalgar Square's “Fourth Plinth" in London for 2016. His work can be found in the public collections of major institutions around the world, including The Museum of Modern Art in New York, the Art Institute of Chicago, Museum Ludwig in Cologne, and the Tate in London.
Presentation
David Shrigley, born on September 17, 1968, in Macclesfield, is a British visual artist known for his distinctive graphic style and absurdist humor. A graduate in Environmental Art from the Glasgow School of Art in 1991, he lived in Glasgow for 27 years before relocating to Brighton and Devon in 2015.
His work, characterized by intentionally naïve line drawings accompanied by ironic text, offers a sharp and humorous commentary on the absurdities of everyday life. Although drawing is central to his practice, Shrigley also works with sculpture, animation, photography, music, and installations. Among his notable projects are the monumental sculpture Really Good (2016), installed on the Fourth Plinth in Trafalgar Square, London, and the exhibition Pulped Fiction (2023), in which he pulped 6,000 copies of The Da Vinci Code to reprint George Orwell's 1984.
Shrigley was nominated for the Turner Prize in 2013 and was appointed Officer of the Order of the British Empire (OBE) in 2020 for his services to visual arts. He also received an honorary doctorate from De Montfort University in 2014. His work has been exhibited in prestigious institutions such as the Hayward Gallery in London (Brain Activity, 2012), the National Gallery of Victoria in Melbourne (Life and Life Drawing, 2014), and the Rose Art Museum in the United States (Life Model II, 2016).
Dedicated to promoting arts education, Shrigley unveiled a giant animatronic praying mantis sculpture, Mantis Muse, at his former school in Oadby in 2024 to highlight the importance of including the arts in school curricula. He advocates for transforming the STEM acronym into STEAM, incorporating the arts alongside science, technology, engineering, and mathematics.
His publications include Worried Noodles, a collection of texts set to music by various artists, and What the Hell Are You Doing?, a compilation of his most iconic works. Shrigley continues to shape contemporary art with his unique approach, blending dark humor and social critique.
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