Misteriosa Laura (Mysterious Laura), 2007
Print : lithography · 70.2 x 49.8 cm 27.6 x 19.6 inch
€720
720 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 60
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 99 copies
4 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
70.2 x 49.8 cm 27.6 x 19.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Lithographic portrait published by Taller del Prado in an edition of 99. Naranjo builds the face through accumulated fine tone rather than contour, a method inherited from his long practice as an etcher, and the result carries the slightly unsettling stillness characteristic of his figures. The generous 70.2 × 49.8 cm sheet isolates a 42 × 32 cm image, so that the surrounding white functions as silence around the head.
Presentation
Eduardo Naranjo (born 1944 in Monesterio, Badajoz) is a Spanish painter and engraver, considered one of the foremost representatives of contemporary dreamlike magical realism, a style never lacking in enormous realism, beauty and poetry. A gifted artist from a very early age, in 1979, after his acclaimed exhibition at Galería Biosca, he was named "Best Visual Artist of the Year" by Blanco y Negro magazine. His 1993 retrospective at the Centro Cultural de la Villa in Madrid was visited by almost 250,000 people of many nationalities. In 1981, through his participation in the book "Constitución Española, 1978", he resumed his work as an engraver, which he has since alternated with painting. Among his many prints, the seven of "El Génesis" (1983-85) and the thirteen for Federico García Lorca's "Poeta en Nueva York" stand out and are known around the world. He has also worked in the theatre, collaborating on Lorca's "La casa de Bernarda Alba" with José Carlos Plaza at the Teatro Español, and on "Hazme de la noche un cuento" by Jorge Márquez, directed by Manuel Collado at the Teatro Bellas Artes. An artist who stands apart from fashion, with very few solo shows but a presence in countless group exhibitions alongside other great contemporaries, he is among the most prestigious and sought-after of his generation. His solo exhibitions include Galería Loring in Madrid (1971 and 1972), Biosca (1979), Galería Punto in Valencia (1980), the Centro Cultural de la Villa (1993), Leandro Navarro in Madrid (1999), several cities in Galicia (2000), and in 2002 Córdoba, Seville and the Museo de Bellas Artes in Badajoz.
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