Imbécile heureux, 1971
Print : lithography · 65 x 44 x 0.1 cm 25.6 x 17.3 x 0 inch
$351
351 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 53
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 300 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
65 x 44 x 0.1 cm 25.6 x 17.3 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Description
Original lithograph, signed and numbered in pencil by the artist. Edition of 300 ex. Editor: Putman, Paris. The numbering on the photo may differ from the one on the artwork shipped. Perfect condition.
Presentation
In 1939, Courtin took engraving lessons at the École régionale des beaux-arts d'Orléans. He then devoted most of his time to agricultural or logging work.
He came to Paris in 1942, studied under Lucien Pénat at the École nationale supérieure des beaux-arts, attended neighbouring workshops1 and then worked at the Académie Julian and André Lhote in 1943. He undertook various tasks for Jacques Villon, whom he frequented until 1951.
In 1944 he enrolled at the Ranson Academy where he had Francis Gruber as his proofreader. He met César Domela, Auguste Herbin, Alberto Magnelli, Antoine Pevsner, Serge Poliakoff and other abstract painters, as well as the critic Charles Estienne.
In 1947, Pierre Courtin worked as an intaglio printer at Georges Leblanc where he remained until 1951. Disciple of Charles Sapoulin, he prints the engravings of Jacques Villon and Roger Vieillard
He came to Paris in 1942, studied under Lucien Pénat at the École nationale supérieure des beaux-arts, attended neighbouring workshops1 and then worked at the Académie Julian and André Lhote in 1943. He undertook various tasks for Jacques Villon, whom he frequented until 1951.
In 1944 he enrolled at the Ranson Academy where he had Francis Gruber as his proofreader. He met César Domela, Auguste Herbin, Alberto Magnelli, Antoine Pevsner, Serge Poliakoff and other abstract painters, as well as the critic Charles Estienne.
In 1947, Pierre Courtin worked as an intaglio printer at Georges Leblanc where he remained until 1951. Disciple of Charles Sapoulin, he prints the engravings of Jacques Villon and Roger Vieillard
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