The giantess or Gulliver / La géante ou Gulliverte, 2015
Sophie Verger   Emerging artists

Sculpture : bronze · 72.5 x 16 x 15 cm 28.5 x 6.3 x 5.9 inch

€4,800 4 800 €

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Shipped from: Belgium

Delivery to: Spain Free delivery

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About the artwork

Type

Sculpture : numbered and limited to 12 copies

2 copies available

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Artwork signed in the mold

Technique & Support

bronze , without pedestal

Dimensions ( cm • inch )

72.5 x 16 x 15 cm 28.5 x 6.3 x 5.9 inch Height x Width x Depth

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Credentials

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Description

A big book of Sophie Verger offered Sophie Verger sculpts poems, whole tales in one piece... All these stories that make us grow, this need to constantly rediscover the time when naivety was protecting us and instinct was our guide, but also all this spontaneous joy, this humor and this tenderness which she sculpts in the details of the gesture. Sophie Verger offers both the subject of our childhood and a primitive reminder to the child who remains in us, to return to that essential of life after which we run, all of us every day. Sophie Verger is a fairy who knows how to transform an emotion into an animal, a sensation, a feeling in a recollected memory. She combines these anthropomorphic being and mixes the human and the animal world in surprising ways. An absurd world, a human world, a world of humour. An univers of strange beings where man and beast were sometimes merges. A world that nobody really believes in, but that must continue to pursue its existence. Condemned to exist. By echoing the complexity of human relationships, by remaining alien to received ideas, the world of Sophie Verger has lost its point of reference.

Fantastic

Animal

African artworks

Wild animals

Anthropomorphism

Giraffe

Rhinoceros

Animal Sculptures

Beige

Sophie Verger

France  • 1953
297 followers

Presentation

Sophie Verger was born in Paris in 1953. As a teenager, she attends The Academy of La Grande Chaumière and evening classes at Montparnasse 80. After a while, during 1970, she prepares the university entrance examination for Schools of Art in Paris at the Academy of Art Roedrer, place des Vosges. In 1971, she starts Nissim de Camondo school where she discovers sculpture during drawing workshops at the Bourdelle Museum and takes the exam at School of Fine Arts of Paris. She meets there Etienne Martin who deeply encourages her in this way and follows a classic education at the Favrat Studio.

Afterward and during several years , she opens a Studio where she models, draws, and organizes exhibitions. In 1991, first exhibition in Paris at the Colette Dubois gallery. Amazed by the exhibition at the Louvre on german sculpture of the XVth century, she begins a diversion work by modelling virgins with heads of animals dressed in big drapes which will be exposed en1995 for the Whistable festival in Great Britain. Series of shields come later from 1996. She creates, at that time, among others, a piling of timeless warriors inspired by Craonne song. This piece is presented in 1999 at Lineart of Ghent. Then is born the serie of eggs, eggs which explode, releasing characters with wide eyes opened.

A first large-scale exhibition takes place in 1999 at Grouchy Castle for whom Jeannine Rivais writes an article. A second exhibition takes place at Rope factory, a former factory located to Etaples, near Touquet.

In 2000 she wins a Public Award for the exhibition "Sculpture and garden" in Lille on the animal theme, which becomes little by little for her an inexhaustible source of inspiration, strengthened by its meeting with Caroline Corre and the thematic exhibition"animal". She edits her first bronzes. The Got gallery presents its work. First personal exhibition abroad in Brussels in 2001 in the Antic and Art gallery and first exhibition at the Pompon Museum in 2003. The same year, the Lise Cormery gallery, will exposed her first rhinoceros.

At the MAC exhibitions in 2003 and 2005, she establishes a deep professional network which allow her to widen her representativeness. Several municipalities acquire her works. Daniel Boulanger, met through the Gilbert Dufois gallery writes on his work. In 2008, she exposes for the first time in Germany, then at the Burgerweshuis of Zierikzee in Netherlands. Then, several exhibitions will follow. Today, she is preparing an exhibition that will occur in Paris in June, 2014 both in two places: one at the main courtyard of Sorbonne (face to the Pantheon) and at Lise Cormery gallery , Lanneau street.

Her work is now present in collections deprived in the United States, Switzerland, Germany, Great Britain, Belgium and Netherlands.

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