Beach II, 1982
Sculpture : bronze, granite · 42 x 17 x 19 cm 16.5 x 6.7 x 7.5 inch
Shipping & delivery
Shipped from: Lithuania
Delivery to: United States , $ 117
Estimated delivery: Two to three weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 4 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
42 x 17 x 19 cm 16.5 x 6.7 x 7.5 inch Height x Width x Depth
Dimensions of pedestal:
18 x 16 x 16 cm 7.1 x 6.3 x 6.3 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This sculpture is a powerful representation of modernist female torso. Crafted in gleaming bronze, it depicts a robust, muscular body, poised in a dynamic, forward-leaning posture that exudes strength and tension.
The figure sits majestically atop a cylindrical, marbled base, which contrasts its organic forms with the geometric simplicity of its pedestal.
The artwork created in 1982 by Aloyzas Smilingis-Elis stands as a bold testament to the femininity, challenging traditional notions of beauty and form.
Presentation
Aloyzas Smilingis (Elis) was born in a village and had no relation to professional art in his childhood, although his artistic abilities appeared at an early age. He saw his first painting at the age of seventeen and was so impressed that he decided to become an artist. Elis entered Vilnius Institute of Art without any prior preparation where he have studied graphics. He quitted graphics straight after the graduation as well as he quitted with the current socialist methods, so the artist was not welcome at the exhibitions and did not have so many commissions. Elis was interested in painting and sculpture. He started working with granite, established a bronze foundry for sculptures. Every time when he got tired from sculpture, he took the brush in his hands and created paintings. "Artistic ideas are more important than dependence on some workshop of faithfulness to one genre or style. I am not keen on reproducing myself. My thinking is changing and so does my art. I remain self-critical and walk on", said Elis. After the collapse of the Soviet Union painter and sculptor had a chance to visit the West and get acquainted with the collections in best museums of New York, Amsterdam, London and meet famous artists. This had a great effect on his esthetical views. Meeting Willem de Kooning was the most impressive event in Elis career. He visited his studio in East Hampton, NY, where they shared ideas and artistic views. "I understood that the value of art does not depend on the number of exhibitions, nor prestigious projects, critics or curators. It is not my problem where my piece will be hanging and who will be showing it in some exhibition after a hundred years. That is why I don't go out in the public and don't waste my energy preparing for shows and projects. People who are interested in my art find me and sometimes take away the works that are difficult to let go", says Elis, who calls himself a free artist. In his seventies, to the surprise of his family, Elis mastered digital technology and started creating impressive digital abstractions. Artist resides and works in Lithuania, his art is owned by several Lithuanian museums and belongs to private collectors in Australia, Italy, USA, UK, Denmark, Netherlands, Germany, Sweden, Lithuania and Japan.
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