No Vancouver, 2021
Gregg Smith  

Sculpture : cardboard · 50 x 30 x 25 cm 19.7 x 11.8 x 9.8 inch

€300 300 €
Shipping & delivery

Shipped from: France

Delivery to: Germany , € 27

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Not Signed

Technique & Support

cardboard , without pedestal

Dimensions ( cm • inch )

50 x 30 x 25 cm 19.7 x 11.8 x 9.8 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

Mobiles are an intuitive way of working with drawing, colour and space in one action. The form is never planned. It is made with a cutter, drawing the shapes into foam board and then adding coloured fabric. When the work is complete, I dance with it. I started making these as a way to subsidize a new socially engaged project by my non-profit, Very Real Time, working with community dance groups in the town of Atlantis, near Cape Town (https://veryrealtime.co.za/far-out). This one got its title as a friend in Canada spent a few days choosing between two mobiles and eventually this one didn't get the nod. 

The mobiles are easy to put together and install and are mailed in a well-padded flatpack. 

Gregg Smith

France  • 1970

Presentation

Gregg Smith's is an artist and film maker of South African origin, based in France. Following studies at the Michaelis School of Art (University of Cape Town), The Rijksakademie (Amsterdam) and Le Fresnoy (Tourcoing), his work is equally visible in contemporary art and cinema circuits. These include screenings and exhibitions at The Tate Modern (London), Videobrasil (Sao Paulo), Le Centre Pompidou (Paris), Rotterdam International Film Festival, Fundació Joan Miró (Barcelona), Krinzinger Gallery (Vienna), Le Plateau FRAC Ile-de-France (Paris), and the Dakar Biennale (Senegal). He has taught extensively in institutions, such as the Michaelis School of Art (Cape Town), ECAV (Switzerland), the Ecole Nationale Supérieure d'architecture de Versailles and the l'Institut Français de la Mode and ESA Tourcoing.

Smith's work unfolds in layers, moving continuously between the inner psychic realm and immediate physical space. His mobiles, paintings and texts make use of techniques of cut-up and juxtaposition. These are subsequently integrated into performances incorporating voice and dance. Humour and the unexpected are elements in these attempts to challenge a conditioned experience of urban space. In its most ambitious form, his non-profit, Very Real Time uses relational  techniques in combination with dance, video and photography as means to support youth development; build community resources and shift the obstacles of apartheid era town planning in the town of Atlantis. Very Real Time was founded in 2003.

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