Still a fool for you (Bob Dylan), 2020
Sculpture : cardboard · 55 x 40 x 33 cm 21.7 x 15.7 x 13 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 27
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
cardboard , without pedestal
Dimensions ( cm • inch )
55 x 40 x 33 cm 21.7 x 15.7 x 13 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This was one of the early mobiles, combining photographs of classical sculptures, taken at the Louvre, with photos from a book on photographer, Bill Brandt, and guaches and images inspired by a holiday in the north of Brittany.
Mobiles are an intuitive way of working with drawing, colour and space in one action. The form is never planned. It is made with a cutter, drawing the shapes into foam board and then adding coloured fabric. When the work is complete, I dance with it. In this case I dance to a song by Bob Dylan entitled, I'm still a fool for you.
Presentation
Gregg Smith's is an artist and film maker of South African origin, based in France. Following studies at the Michaelis School of Art (University of Cape Town), The Rijksakademie (Amsterdam) and Le Fresnoy (Tourcoing), his work is equally visible in contemporary art and cinema circuits. These include screenings and exhibitions at The Tate Modern (London), Videobrasil (Sao Paulo), Le Centre Pompidou (Paris), Rotterdam International Film Festival, Fundació Joan Miró (Barcelona), Krinzinger Gallery (Vienna), Le Plateau FRAC Ile-de-France (Paris), and the Dakar Biennale (Senegal). He has taught extensively in institutions, such as the Michaelis School of Art (Cape Town), ECAV (Switzerland), the Ecole Nationale Supérieure d'architecture de Versailles and the l'Institut Français de la Mode and ESA Tourcoing.
Smith's work unfolds in layers, moving continuously between the inner psychic realm and immediate physical space. His mobiles, paintings and texts make use of techniques of cut-up and juxtaposition. These are subsequently integrated into performances incorporating voice and dance. Humour and the unexpected are elements in these attempts to challenge a conditioned experience of urban space. In its most ambitious form, his non-profit, Very Real Time uses relational techniques in combination with dance, video and photography as means to support youth development; build community resources and shift the obstacles of apartheid era town planning in the town of Atlantis. Very Real Time was founded in 2003.
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