Cœur 2, 2019
Marianne Cresson  

Sculpture : acrylic, wood, metal, Textiles, glass, jewelry, cotton, embroidery, assemblage · 11 x 26 x 35 cm 4.3 x 10.2 x 13.8 inch

€2,800 2 800 €
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Shipped from: France

Delivery to: France , € 125

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic, wood, metal, Textiles, glass, jewelry, cotton, embroidery, assemblage

Dimensions ( cminch )

11 x 26 x 35 cm 4.3 x 10.2 x 13.8 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2017

Description
Assembly of wood, horsehair, old beadwork, buttons, acrylic. The creative process in which the work of Marianne Cresson is inscribed is akin to the diversion of techniques, the diversion of objects and the diversion of meaning. What happens when techniques, traditionally used in the context of siege making, are misled into the making of functional objects? The object freed from its usefulness is returned to sensuality, to joy… but also responsible for carrying the memory of a lost “seat”. The technically innovative aspect consists of a pioneering approach to tapestry in art. It is therefore a question, on the one hand, of removing traditional techniques from their formatting (showing that we can do something else with them) and, on the other hand, of making their corpus available to the artist. Caught in a multiple movement of simplification, diversification and adaptation, the techniques that she implements make it possible to enrich the vocabulary of textile work: more complex shapes, rounded edges, angles, assortment of colors and volumes, hollows and reliefs , emancipation of materials… Experimentation is permanent. What to do with a thousand buttons? In this new challenge and new series, buttons connect us to reality, to nostalgia for childhood, to intimacy, increasing our discomfort, depriving us of softness and ending up contaminating the entire space.
France  • 1961

Presentation

After a literary baccalaureate in the plastic arts section, followed in 1980 by a year at the School of Fine Arts in Perpignan, Marianne Cresson embarked on learning the profession of upholsterer and decorator for, she says: "put your hands in and to confront the material. ”. In 1990, she began researching this material. The series of busts appears in 2008 and concretizes his research on the work of the textile in three dimensions. Marianne Cresson exhibited this work in 2009 at the ninth international contemporary art fair in Marseille and spans the bridge between Art and Crafts.

The creative process in which the work of Marianne Cresson is inscribed is akin to the diversion of techniques, the diversion of objects and the diversion of meaning.

What happens when techniques traditionally used in the manufacture of siege, are deviated in the manufacture of objects without function? The object freed from its usefulness is returned to sensuality, to joy… but also responsible for carrying the memory of a lost “seat”.

The technically innovative aspect consists of a pioneering approach to tapestry in art. It is therefore, on the one hand, to take traditional techniques out of their formatting, and on the other hand to make their corpus available to the artist.

Caught in a multiple movement of simplification, diversification and adaptation, the techniques that she implements make it possible to enrich the vocabulary of textile work: more complex shapes, roundings, angles, assortment of colors and volumes, hollows and reliefs , emancipation of materials.

Experimentation is permanent.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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